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Henri Cartier-Bresson Part2

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Uploaded by on Feb 7, 2008

Henri Cartier-Bresson
Henri Cartier-Bresson (1908-2004) was a French photographer considered to be the father of modern photojournalism, an early adopter of 35 mm format, and the master of candid photography. He helped develop the "street photography" style that has influenced generations of photographers that followed.

Trained as a painter, he began his career in photography in 1931 on a trip to the Ivory Coast. He was one of the first photographers to shoot in the 35mm format with a Leica camera, and helped to develop the photojournalistic "street photography" style that influenced generations of photographers to come.

It was there on the Côte d'Ivoire that he contracted blackwater fever, which nearly killed him. Returning to France, Cartier-Bresson recuperated in Marseille in 1931 and deepened his relationship with the Surrealists. He became inspired by a photograph by Hungarian photojournalist Martin Munkacsi
http://artneutre.bitacoras.com/imatge...

Cartier-Bresson said: "The only thing which completely was an amazement to me and brought me to photography was the work of Munkacsi. When I saw the photograph of Munkacsi of the black kids running in a wave I couldn't believe such a thing could be caught with the camera. I said damn it, I took my camera and went out into the street."

The photograph inspired him to stop painting and to take up photography seriously. He explained, "I suddenly understood that a photograph could fix eternity in an instant.". He acquired the Leica camera with 50 mm lens in Marseilles that would accompany him for many years. He described the Leica as an extension of his eye.

Cartier-Bresson is well known for his concept of the "decisive moment" in photography. He defined this moment as "the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which gave that event its proper expression
During his photographic career Cartier-Bresson photographed all over the world - Mexico, Canada, USA, Europe, India, Burma, Pakistan, Indonesia, Africa, Burma, China, Japan, Cuba, and the USSR, among other places. He also photographed many famous personalities and artists of the 20th century, including Matisse, Picasso, Coco Chanel, Truman Capote, and Gandhi. His interest in the visual arts also extended to film - he made films with Jean Renoir, Jacques Becker and André Zvoboda and a documentary on Republican Spain (1937).

During the Second World War Cartier-Bresson was taken prisoner by the Germans and escaped, then photographed the occupation and liberation of France. During this time rumors reached the USA that he had been killed, and the Museum of Modern Art began to prepare a "posthumous" show. Cartier-Bresson later spent a year in the US helping to prepare this show.
In 1947 Cartier-Bresson co-founded the photographic cooperative Magnum along with fellow photographers Robert Capa, George Rodger, David Seymour, Bill Vandivert and others.

Valuing his anonymity as a tool for capturing decisive moments with his camera, Cartier-Bresson did not like to be photographed, and shot with a Leica camera which was smaller, quieter and less intrusive than other cameras.
Cartier-Bresson retired from photography in the early 1970s and by 1975 no longer took pictures other than an occasional private portrait; he said he kept his camera in a safe at his house and rarely took it out. He returned to drawing and painting. After a lifetime of developing his artistic vision through photography, he said, "All I care about these days is painting — photography has never been more than a way into painting, a sort of instant drawing."

Cartier-Bresson is regarded as one of the art world's most unassuming personalities. He disliked publicity and exhibited a ferocious shyness since his days in hiding from the Nazis during World War II. He hated to be photographed and treasured his privacy above all. Photographs of Cartier-Bresson do exist, but they are scant. When he accepted an honorary degree from Oxford University in 1975, he held a paper in front of his face to avoid being photographed. He did recall that he once confided his innermost secrets to a Paris taxi driver, certain that he would never meet the man again.
The Henri Cartier-Bresson Foundation was created by Cartier-Bresson and his wife and daughter in 2002 to preserve and share his legacy.
http://www.henricartierbresson.org/

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Uploader Comments (Rangefindergeneral)

  • what kind of camera did henri used?

  • kpkp93,

    I think you must be kidding!!!!!????

    OK here we go....

    Leica he was one of the 1st photogs to use small format cameras, and owned 1 of the first copies of the then (1928-1930) new Leica 135 film format. famously he is supposed to have just used a 50mm lens for every thing he shot, but this is sadly not true he also used a small number of other lenses 35mm and 90mm mostly.

    He stopped taking photos in 1975 returning to painting.

  • a Leica with a 50mm lense

  • Ok yes a 50mm lens, there is a myth that he only used one lens, but one only has to look at his images to know that is not true.

    My best guess is that stated above.

    Yes he most certanly used a M3 at some point but he would have started with one of the first screw mount Leica's. Most likely a II then III. The Leica M3 was introduced in 1954 so HCB would have been taking photos for thirty years by then!

  • Thanks for the series RangefinderGeneral... The most fascinating thing about this is that the Gare St. Lazare image (man jumping) which arguably the greatest image of the 21st century is taken without him looking through the viewfinder!!

  • 20th Century Beboy!

    Hey that's almost funny?

Top Comments

  • I like that one of most celebrated photographers of all time admits to the play of luck.

  • With all due respect, I'm not sure that digital has killed photography, but rather it has brought an end to the era of classical photography. I work with ultra large format film cameras and I am aware that I am one of the last to do so. Over the past 60 years change in photography has concerned itself with convenience not quality, it's a real shame.

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  • @TheMaxlow Actually you could find one online for around 300 dollars. I found at least 3! Then I went to the local camera store "Christian Photo" they had the same selection for the same price. You should be able to find one!

  • What is also remarkable in my view about Giacometti is that the tree at the forefront does look like one of hie sculpture...

  • Cartier Bresson used a Leica III ( not M3!!!) and a 50mm

  • What amazed me was this man, way advanced in age, but still with the demeanor and personality of a very young man - still quick and witty! A genius!!

  • i would love to use a film camera but unfortuntly its far too expensive

    the way light reacts to film is so much more pleasing than with digital.

  • An important writer about an important photographer.

  • " It's always luck"????? Sorry, Mr. HC-B. It's not luck, it's freakin' genius.

  • Thank you for posting this! It would be cool if more people knew about him. Especially in this digital age.

  • cool vid! when i took up photography and i was searching for the right photogapher to be my guide, i've choosen 2..one was philipe halsman and the other is HCB.

    i became even more interested in photography bcuz of them both.

    35mm,50mm and 90mm is considered complete at that age.

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