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Bwv140 - Kantat - 06 - Duet SB - Mein Freund ist mein

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Uploaded by on Jul 4, 2006

Koopman

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Film & Animation

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Standard YouTube License

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  • Nope, it's "sein". The song is "My friend is mine, and I am His" in reference to God, not the opposite singer. "Dein" would've sounded more odd to me, but that's just my opinion.

  • B E A U T I F U L!!!Thanks for sharing.

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  • It's the first sacred cantatas i've heard on ''Bach Celebration'' cd boxet in 2000; i still enjoy it ! The only thing i heard before, distracly, was the well-known air ''Jesus, joy of man's desiring''from Cantata BWV 147, and i learned quite well some German that isn't so hard !!!

  • en que instrument eshaciendo el continuo el unico y legendario ton koopman

  • A wonderful performance, and a movement whose music -- via the oboe da caccia -- adds an entire new dimension to the conversation among the voices (supported by the continuo).

  • Nein, im Urtext heißt es klar: Und ich bin Dein! Die zwei Duette Sopran/Bariton sind ein Dialog zwischen Christus und der gläubigen Seele: Zuerst: Wann kommst Du, mein Heil - Ich komme, Dein Teil (sehnsuchtsvoll/tröstend) und dann: die freudige Begegnung zwischen Seele und Christus/Braut und Bräutigam. Ist gute Auslegungstradition des Hohenliedes und auch des Gleichnisses von den klugen und törichten Jungfrauen in Mt 25. Und natürlich mit hoher Bibelkenntnis klasse in Musik umgesetzt!

  • Apparently this duet represents the soul (female) conversing with her "friend" (Jesus).

  • Por supuesto esta cantata su ritmo,el contraste entre dueto y oboe es apasionado juega con la voces ,pregunta igual a respuesta seguida de un fe a Dios que solo Bach a sabido crear alegria acompañada de musica jubilosa,

    Estos interpretes unicos fabulosos su etiqueta es de lujo musical.gracias por el video.

  • I love the blend and balance of these two voices along with the instruments. I think it is beautifully performed. What performance is this? Loved it.

  • @jamesch230 Yeah, the enjoyment of the two singers is apparent, the oboe solo is crisp, bouncy and obvious yet not intrusive; Ton Koopman is nicely supportive on the chamber organ and even the bassoon gets a 'look-in'. I too thought it was a shade fast, initially, especially after hearing older versions such as Richter/Muenchener Bach Chor/Dieskau/Mathis, but it kinda grows on you. Magic!

  • How beautiful!! I like the rhythm of the oboe!!

  • He is Klaus Mertens, exelent.

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