Uploaded by alexcello1981 on Jul 5, 2010
Aleksandr Verzhbilovich was born in Saint Petersburg on 8 January 1850 (ns). He was a student of Karl Davydov at the Saint Petersburg Conservatory. He was quickly recognised as an outstanding performer, and appeared in concert with names such as Anton Rubinstein, Vasily Safonov, Alexander Siloti, Anna Yesipova, Felix Blumenfeld, Sergei Rachmaninoff, Leopold Auer and others. He often travelled to Poland, where he was a specialist in music for cello solo, but always concluded his recitals with trios with the violinist Stanislaw Barcewicz (1858-1929) and the pianist Aleksander Michałowski.
From 1877 to 1882 he was principal cello at the Italian Opera. From 1882 to 1885 he was principal cello at the Russian Imperial Opera Orchestra. He was also a member of the Saint Petersburg String Quartet.
From 1882-85 and again 1887-1911 he was a professor at the Conservatory, where his pupils included Leopold Rostropovich (father of Mstislav Rostropovich), Alexey Davydov (nephew of Karl Davydov), Semyon Kozolupov (teacher of Sviatoslav Knushevitsky), Raymond Bööcke and others.
Aleksandr Verzhbilovich had a significant association and friendship with Pyotr Ilyich Tchaikovsky. When writing his Sextet in D minor, Op, 70, Souvenir de Florence, Tchaikovsky wanted Verzhbilovich's advice on the first cello part.[11] While in Saint Petersburg for rehearsals of The Queen of Spades, Tchaikovsky arranged an audition of the Sextet at the Hotel Rossiya, for a small invited audience including Anatoly Lyadov, Alexander Glazunov and Hermann Laroche, the performers including Verzhbilovich. Tchaikovsky was not entirely happy with how the work was proceeding, and decided to rewrite the Scherzo and Finale.
Shortly after Tchaikovsky's death, Verzhbilovich attended his apartment, apparently in a drunken state. According to Nikolai Rimsky-Korsakov's memoirs, he kissed the late composer profusely on the face, despite the cholera that had killed him. However, some doubt has been shed on the reliability of Rimsky's memory in this report.
His portrait was painted by Ilya Repin in 1895.
In 1902, in St. Petersburg, he became the very first person to record any of the music of Johann Sebastian Bach - the "Air" from the Ouverture No. 3 in D major, BWV 1068, arranged for cello and piano (the pianist's name was not recorded). He made a handful of other 78 rpm sides.
The following works were dedicated to him:
Alexander Glazunov: Mélodie (Op. 20, No. 1) and Sérénade Espagnole (Op. 20, No. 2), for cello and piano; Chant du Ménestrel, Op. 71, for cello and orchestra
David Popper: Serenata Oriental, Op. 18; Spanish Dances, Op. 54
some works by Eduard Nápravník.
He transcribed some pieces by Tchaikovsky and others for cello, and wrote a small number of original minor works himself (Waltz, Étude, etc).
Aleksandr Verzhbilovich died in the city of his birth on 15 March 1911 (ns), aged 61.
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- (1849-1911)
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- Davydov-Romance.
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- 1904
- !!!.
- Александр
- Вержбилович
- виолончель
- Давыдов
- Романс
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MOLTO BELLO!!! Thank you for sharing this Wonderful and Rare Performance of Russian classical cellist ALEKSANDR VALERIANOVICH VERZHBILOVICH (8 January 1850 [O.S. 27 December 1849] – 15 March [O.S. 2 March] 1911).
MrGer2295 1 month ago
Great to hear this recording, thanks for putting it up here!
enzym3000 1 year ago