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Screamin Jay Hawkins - "I Put a Spell on You" (1956)

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Uploaded by on Mar 9, 2011

This is the last know interview with host Kirk Biglione back in October 1987 with the late Jay Hawkins who passed away back in 2007. Hear his amazing story on this podcast. Special thank you and credit for it's use go to Kirk Biglione.
http://medialoper.com/screamin-jay-hawkins-is-a-wild-man-so-bug-off/

Jalacy Hawkins (July 18, 1929, Cleveland, Ohio — February 12, 2000, Neuilly-sur-Seine, France), best known as Screamin' Jay Hawkins was an African-American musician, singer, and actor. Famed chiefly for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You", Hawkins sometimes used macabre props onstage, making him one of the few early shock rockers.

Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His original career goal was to become a powerful bass baritone singer in the footsteps of Paul Robeson. When his initial ambitions failed, he began his career as a conventional blues singer and pianist.

He served in the United States Army Air Force in the Pacific theater during World War II, primarily as an entertainer. Although he claimed to have been tortured for some time as a prisoner of war, stories of the circumstances of his actual capture vary. According to the documentary, I Put a Spell on Me, upon liberation he blew his chief tormentor's head off by taping a hand-grenade into his mouth and pulling the pin. Hawkins was an avid and formidable boxer. In 1949, he was the middleweight boxing champion of Alaska.

In 1951, he joined guitarist Tiny Grimes for a while, and recorded a few songs with him. When Hawkins became a solo performer, he often performed in a very stylish wardrobe, featuring leopard skins, red leather and wild hats.

His most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues, "Hawkins originally envisioned the tune as a refined ballad."The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon." The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and reportedly surpassed a million copies in sales, although it failed to make the Billboard pop or R&B charts.

Soon after the release of "I Put a Spell on You", radio disc jockey Alan Freed offered Hawkins $300 to emerge from a coffin onstage. Hawkins accepted and soon created an outlandish stage persona in which performances began with the coffin and included "gold and leopard skin costumes and notable voodoo stage props, such as his smoking skull on a stick -- named Henry -- and rubber snakes."

He continued to tour and record through the 1960s and 1970s, particularly in Europe, where he was very popular. He appeared in performance (as himself) in the Alan Freed bio-pic American Hot Wax in 1978. Subsequently, filmmaker Jim Jarmusch featured "I Put a Spell on You" on the soundtrack -- and deep in the plot -- of his film Stranger Than Paradise (1983) and then Hawkins himself as a hotel night clerk in his Mystery Train and in roles in Álex de la Iglesia's Perdita Durango and Bill Duke's adaptation of Chester Himes' A Rage In Harlem.

His 1957 single "Frenzy" (found on the early 1980s compilation of the same name) was included in the compilation CD, Songs in the Key of X: Music from and Inspired by the X-Files, in 1996. This song was featured in the show's Season 2 episode "Humbug". It was also covered by the band Batmobile.

In 1983, Hawkins relocated to the New York area. In 1984 and 1985, Hawkins collaborated with garage rockers The Fuzztones, resulting in "Screamin' Jay Hawkins and The Fuzztones Live" album recorded at Irving Plaza in December 1984. They perform in the 1986 movie Joey

In July 1991, Hawkins released his album Black Music for White People. The record features covers of two Tom Waits compositions: "Heart Attack and Vine"(which, later that year, was used in a European Levi's advertisement without Waits' permission, resulting in a lawsuit), and "Ice Cream Man" (which, contrary to popular belief, is a Waits original, and not a cover of the John Brim classic.) Hawkins also covered the Waits song, "Whistlin' Past the Graveyard", for his album Somethin' Funny Goin' On. In 1993, his version of "Heart Attack and Vine" became his only UK hit, reaching # 42 on the UK singles chart.

Hawkins also toured with The Clash and Nick Cave during this period, and not only became a fixture of blues festivals, but appeared at many film festivals as well.

Hawkins died on February 12, 2000 after surgery to treat an aneurysm. He left behind many children by many women; an estimated 55 at the time of his death, and upon investigation, that number "soon became perhaps 75 offspring".

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  • @Voidhead i also thought it was tom waits hah what a coincidence

  • That ending though....

  • This is Deathrock...?

  • We love Screaming Jay. Check out our Tom Waits cover of "Bad As Me".

  • Jay passed away in 2000 - aged 70. I met him twice in Sydney Australia - a really nice fellow

  • I heard that song in Stranger Than Paradise and I was convinced it was Tom Waits. I only heard a few of TW's songs, but this one sounds exactly like them.

  • this song just reminds me of Nowhere Boy

  • This guy was a real showman. I understand that when he would perform this song live they would wheel him out in a coffin. Done in 1956, this pre-dates Alice Cooper by a couple of years.

  • So much symbolism in this song, not even funny!

  • biggie smalls kick in the door

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