Vaticanus In HD

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Uploaded by on Aug 16, 2009

http://www.zazzle.com/ProVaticanus

http://ProVaticanus.blogspot.com/2011/02/vaticanus-in-hd.html

On 1 November 1624, on the anniversary of the consecration of Constantine's Basilica by Saint Sylvester, the new Basilica was consecrated by Urban VIII. "It should be noted", we read in the manuscript of Francesco Speroni, a beneficed cleric of the Basilica, "that the main altar was not consecrated, having already been consecrated by Clement VIII on 28 June 1594; but it was raised higher by two steps, ob opus magnificentissimum ibi collocandum". The opus was the work Bernini was preparing and for which he had made successive models from 1622 to 1626: namely the famous baldacchino. The artist took his inspiration from the old one, but raised his to the height of 64 feet, all in bronze, with spiral columns which repeat the rhythm of those in the pergolas he had already placed in the tribunes of the four pilasters. The copper was taken from the ribs of the cupola (which were recovered with lead), and also, in large measure, from the bronze lattice of the portico of the Pantheon, as we are told by the commemorative stone inserted there. This work was officially inaugurated by the Pope during First Vespers of the feast of Saint Peter in 1633.

Baldacchino
Mainly bronze, partly gilt. Principal sculptural parts: four giant bronze angels above the columns, two pairs of putti with tiara and St Peter's keys and two pairs with sword and book, emblems of St Paul, between the scrolls; further small bronze putti on the shafts of the columns, marble coat of arms on the pedestals; in addition a great mass of minor emblematic detail in bronze. Whole height 28.5 m. St Peter's, Rome.

The documents for the Baldacchino have been fully published by Pollak, ii, pp. 327-423. Its genesis has been reconstructed by Brauer-Wittkower, pp. 19-22. The work developed slowly to its present form. Bernini was commissioned in 1624, shortly after Urban VIII's election. Payments begin on 12 July of that year. The four bronze columns were unveiled in St Peter's on 29 June 1627. After that date Bernini's attention was focused on the crowning parts and the figures. Inauguration on 29 June 1627, but minor details of the decoration dragged on until 1635. Total expense was over 200,000 scudi, the columns alone costing more than 80,000 scudi. Bernini received 10,000 scudi over the whole period. The immense quantities of bronze were partly looted from the portico of the Pantheon (Pollak, i, p. 175 ff.) and from the ribs of the dome of St Peter's itself.

This was the first work in which Bernini showed his extraordinary gift as an organizer. But he himself was more actively engaged than on similar jobs at a later period. According to a statement of 1627 he had spent three whole years on the manual work of preparing the models and helping to cast the columns. Work, in the beginning, must have been overwhelming. He pressed his family into service; his father, Pietro, seems to have been constantly at his side (Pollak, p. 346) and even helped with the book-keeping. His brother Luigi, was engaged on models and also supervised work. His principal assistants in making the models and preparing them for the founders were Bolgi, Speranza, Finelli, G. A. Fancelli, Niccolo Cordier (probably a namesake of the well-known sculptor who died, according to Baglione, in 1612) and Duquesnoy; the latter had a relatively small share. In 1630 the large models of the angels were ready for casting, but it is impossible to identify the hand of any of the collaborators. Speranza was mainly responsible for the models of the putti with the papal insignia (1633), Bolgi for the touching up of the marble coats of arms of the pedestals (1628) and the older Stefano Maderno for models of small putti for the columns (1624). Finelli's models of SS. Peter and Paul (1628) to be placed in front of the Baldacchino were not cast. It is not clear from the documents (Pollak, p. 368) whether the large figure of Christ which was being planned at a late stage for a position over the Baldacchino, was ever cast. Bernini himself alludes to it in his talks with Chantelou.

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  • arquitetura riquíssima

  • Sanctus Vaticanus!

  • Amen. Bravo, ProVaticanus, Bravo!

  • i thought this video will be greater with the Pontificius anthem as background!

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