Taylor Barefoot demonstrates pedals from Dunlop, Way Huge and MXR in the recording studio. The goal here is to show how awesome these pedals can sound with a good player and a great setup. For most pedals we were only able to explore one setting each.
Want to skip the talking? Go to 02:16
Rock @ 02:16
Classic @ 07:12
Country @ 11:50
Heavy @ 18:17
Bass @ 29:06
To make it more digestible, we split the pedals up into five mini "rigs" featuring different guitars and amps.
We start with an "Alternative" rig with a Two Rock Custom Reverb Signature II with a Gene Baker B3 Phoenix Tele. Taylor misspeaks at the beginning and says he's using a DC-30 here, but he isn't.
Then we move to a "Classic" rig with an original 1969 Marshall JMP and a '59 RI Custom Shop Gibson Les Paul from 1996.
For a "Country" rig we use a '94 Matchless DC-30 with a Linhof Special Telecaster.
And for the "Metal/Heavy" rig we used a '78 Gibson RD and a Mesa Dual Rectifier Tremoverb.
For the "Bass" rig, we're going direct with a Lakeland Jazz bass into an API3124 and a Distressor.
We also demonstrated the differences between the Phase 90, Phase 90 Script and Phase 45 Script, as well as the differences between the Dynacomp and Dynacomp Script Reissue.
A Marshall 50th Anniversary 4x12 was used for all guitar setups, with a Royer R-121 and a SM-57 on the cab. No room mic.
We used a Shadow Hills Gama 8 Preamp and a Lynx Aurora 16 to bring us into Protools HD.
All pedals were powered with a Dunlop DC Brick. Cables interconnecting the pedals are from Mulder Audio.
Camera shots were done with a Nikon D7000 with some alternate shots on Loose Ends done with an iPad 2's rear camera.
Some knob positions on closeups pedals may not be 100% accurate since those were shot at the end of takes and some knobs may have been bumped.
"Loose Ends" is courtesy of Casey Desmond (http://caseydesmond.com). Check her out. She's awesome and Taylor plays guitar with her.
Produced and Edited by David Fisher (aka, Tibbon)
Taylor Barefoot played on things with strings.
Pedals Used:
MXR M78 Badassed Distortion
MXR M116 Full Bore
MXR M173 Classic 108 Fuzz
MXR M117R Flanger
MXR M148 Micro Chorus
MXR M152 Micro Flanger
MXR M159 Stereo Tremolo
MXR M101 Phase 90
MXR Phase 90 Script Reissue
MXR Phase 45 Script Reissue
MXR Dynacomp Script Reissue
MXR M100 Dynacomp
MXR M169 Carbon Copy
Way Huge Green Rhino
Way Huge Pork Loin
Dunlop Volume Pedal
Jimi Hendrix Octavio
Custom Audio Electronics Boost/OD
MXR Bass Envelope
MXR Bass Octave
So let say we're comparing the GT-OD and the CAE/MXR Boost/Overdrive....which would you say is better for more rock?
GuitarGod94XxXx 1 month ago
@GuitarGod94XxXx Going to depend a bit on your playing style and amp, but I think the GT-OD just might be the better option if you're looking for something simple that has a nice gain to it. I personally use the CAE Boost/OD more for something that I want to have multiple gain stages that I can switch through, starting with a lower gain going to a higher one. Both good pedals.
Tibbon 1 month ago
hey this is a great video!! i have a question though... what kind of cable are you using from the guitar to the pedals?? ive never seen anything that looks quite like it lol....
gkeeper1993 8 months ago
@gkeeper1993 Lava Soar cables. They are great!
Tibbon 8 months ago
hey taylor! which songs did you play in the heavy part? amazing songs!
nikitofin 8 months ago
@nikitofin (David answering here): I think those are all songs by Dominican Poets, a band which Taylor played in during the late 90's. I'll call Taylor and ask with his permission if I can upload audio to some of those songs to YouTube, although the rights/ownership of those might be in limbo since unfortunately the lead singer passed away a few years ago. I'm unsure if his estate claims rights to those or cares.
Tibbon 8 months ago