Hand held metal mirrors rendered the ritual lithography encountered in standing stone mirrors, plastic. NewSciLet 99-2011 Peter Reynolds (Reflectogenesis.com, Runcorn, Cheshire United Kingdom) P3
Last year I posed useful hand held mirrors of the age of metal UHM 'blow' vitally addictive constructive inter and self-sensory feedback bearing new synesthetic & mirror neurosystems, complex none-prairie dog language, writing & monotheism - superposing the perspectives of individual senses upon optical axes of reflection, defining a vanishing point and a window for a Self perspective within an Addictive Infectious Tensegrally Self Focused Neural Nietzschean Perspectivism, A Bubble of consciousness (life). This rapid evolving reward led autofocusing language, imprinting,leaving 'gaps' in ancient 'specially lithographed' brain structure, defining its own 'Explanatory 'Gap''; the evolving language unable to access its own Spandrels. This 'Reflectogenesis' also seen directly on Youtube when monkeys given UHM, judged by their orgasmic mesolimbic reactions had never seen their 'Self', borne, 'In the Zone', the 'moment'; rather than delocalised implicitly, through the eyes of their troop, despite generations reflected in water - (the bubble left stuck on the surface). In contrast, 'thought' has been posed in ancient Ice Age art. Nick Humphrey rather these artists not 'think' but behave as a speechless autistic savant, Nadia. I think this a stretch mistaking Autism for deafness citing H.G Wells legend of 'The Country of the Blind', blind people isolated by natural events adapted through evolution of remnant senses, cave artists individuating by the ability to support the deaf & blind. Super volcanism would see off megafauna, Neanderthal and cause these disabilities. Recent works support Wells and as these disabilities drew support some hominid offspring would be fully sensate whilst also retain synesthetic derived abilities (a blind, deaf homunculus) which could only have evolved in parents insensate of light or sound , evidence primary traits of the cultural explosion 40,000 years BP; parietal art with perspective, movement and spatial acuity not appearing again until the Greeks: Venus figurines also; most of which had no eyes - thus I now pose most simply - carved by the 'blind' - previously unrelated musical flutes and finer tools, all of which would have originated in synesthetic synergism between the enhanced sense of space and movement in/between the remnant senses of the deaf & blind in tune with Common Coding' reward led constructive feedback from parietal echoes of dextral efferents perhaps mediated by natural stimulants and harmonising music.The brains' of the blind/deaf wouldexperience the new stable environment of virgin caves as newly discovered internal parieta, vacant of their missing sense. Thus instantiated as their and the species' own homunculi or 'self', reaching out synesthetically and ritually to impregnate these deep core special walls believing themselves to have found a deeper burial site for fearful special memories. Simultaneously gestating, carving their own 'visible' infant homunculi- the Soul of the species (initially unwittingly 'unearthing' a suppressed special history 'book', including deeply suppressed impressions of their predators, from a time when their ancestors roamed a desertified Africa, selflessly delocalised in their troop to resist anxiety). Delivered reborn with figurative paternal souls, an animated bible of creation and an umbilical portal linked by an addictive bubble to the brane of Aboriginal DreamTime for 40millenia,'Our New Age'.
Animal in water glimpsed amongst stars, infectiously addicted with blind vision to dig a planetary navigation 'Lining Up' nature with Nietzsches' super nature, the key to earth's diurnal course
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Knee Jerk Reaction - A Visual Companionby kjrla457 views
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