飛向Heading for (選自鍾耀光《打擊協奏曲》第三樂章)

鍾耀光：打擊樂協奏曲，根據黃晴三首新詩而作
YIU-KWONG CHUNG: Heading for ( from Concerto for Percussion and Chinese Orchestra after 3 Poems by Sonja Huang )
指揮：邵恩
Conductor: En Shao
打擊樂：依芙琳．葛蘭妮
Percussion: EVELYN GLENNIE


這首打撃樂協奏曲完成於2009年3月， 於2009年9月臺北聽障奧運的音樂會中世界首演，同時是特別為Evelyn Glennie創作的協奏曲。協奏曲共分三個樂章：
第一樂章，樂曲的背景來自黃晴的得獎詩作《月亮的哀求》，是她想像自己是在靜寂無聲世界中的月亮；筆調有點灰暗，獨奏部份是寫給二只小軍鼓，利用小軍鼓響弦的音色來刻劃出­內心的吶喊；
第二樂章的背景來自黃晴一首非常樂觀的詩作《我相信》， 詩句到處表現出童真，獨奏部份是寫給一台木琴，樂隊伴奏部份以彈撥樂器為主，樂曲一開始有點獨自沉思的氣氛，之後一段旋律輕快活潑，自然流暢；
第三樂章是黃晴特別為聽奧選手創作的《飛向》，詩句勵志激昂，獨奏部份是寫給十一只大大小小的鼓。樂曲分為三個段落，第一段有遠古的原始音樂的野性與豪邁，第二段為打擊樂­的自由華彩段落。第三段出現像奧運主題風味的主題，最後以一段信號曲為尾聲結束全曲。

YIU-KWONG CHUNG: Concerto for Percussion and Chinese Orchestra after 3 Poems by Sonja Huang
1. Lament of the Moon 2. I Believe 3. Heading For
This percussion concerto was completed in March 2009 and receives its world premiere at the Taipei Deaflympics concert in September 2009. This concerto was specifically written for Evelyn Glennie. There a total of three movements in the piece. The setting for the music of the first movement comes from Sonja Huang's award-winning poem "Lament of the Moon," in which she imagines herself as the moon of a soundless and solitary world. Written in a somber style, the solo part is written for two snare drums, utilizing the timbre of the snare drum to sound out her inner battle cry. The setting of the second movement comes from "I Believe," a rather optimistic poem by Sonja Huang. The verses of this poem express the virtue of a child. The solo part is written for a marimba while the orchestral accompaniment consists mainly of the plucked-string section. The music begins with a solitary contemplative mood, then, a melodic section comes forth briskly and lively, flowing quite naturally. The third movement comes from a poem titled "Heading For," which Songja Huang wrote specifically for the contestants of the Deaflympics. The verses of the poem are quite inspiring and full of integrity. The solo part is written for 11 drums of various sizes and the music is divided into three sections. The first section portrays a wildness and boldness from an ancient and primitive time. The second section is a magnificent freestyle percussion section, full of splendor. What seems like a theme for the Olympics appears in the third section's theme, and finally the piece ends with a fanfare coda.

Category:

Music

Tags:

• Concerto
• Percussion
• 打擊樂協奏曲