Wayne Pashley, supervising sound designer for Australia, gives an overview of how he combines on-set recordings and post production sound effects to let viewers see the movie with their ears.
@Superfoot as an location recordist/mixer you should record at average of -20db with peaks hitting -10. the thing is to have nominal gain at every stage - from mic to tx/rx to mixer and finally to recording medium. avoid hitting the limiter. with 24 bit recording option there is no need to go hotter as all the garbage (noise) is in last 4 bits (correct me if Im wrong)
as for mic wit leather guy it is a schoeps on the pole
Nice. Did you record the dialogue of the guy in the leather jacket, the guy who spoke about the 5 elements and Guntis Sics? If so what mic(s) or lavs where you using. What settings and levels would you recomend on the mixer recording dialogue. I love the way this clip sound.
@Superfoot as an location recordist/mixer you should record at average of -20db with peaks hitting -10. the thing is to have nominal gain at every stage - from mic to tx/rx to mixer and finally to recording medium. avoid hitting the limiter. with 24 bit recording option there is no need to go hotter as all the garbage (noise) is in last 4 bits (correct me if Im wrong)
as for mic wit leather guy it is a schoeps on the pole
TheCeembee 2 months ago
Nice. Did you record the dialogue of the guy in the leather jacket, the guy who spoke about the 5 elements and Guntis Sics? If so what mic(s) or lavs where you using. What settings and levels would you recomend on the mixer recording dialogue. I love the way this clip sound.
Superfoot 4 months ago