Luigi Nono - Liebeslied (1954) for chorus and instruments

Luigi Nono (1924 - 1990)
Liebeslied (1954)
Per coro misto e strumenti.
Testo di Luigi Nono

Stuttgart Vocal Ensemble
Percussions de Strasbourg
Anna Seul, Harp
Marcus Creed, cond.

Composed in 1954 for mixed choir and instruments, this 5-minute work shows that twelve-tone composition, often noted for its dramatic expressionism, can also express feelings of gentle humor and of tender love. The text, also written by Nono, is a love poem addressed to Arnold Schoenberg's daughter Nuria who married Nono the year after this piece was completed. Although an early work of the developing post-WWII serialist school, Nono avoids the Schoenberg-Webern use of the twelve-tone series possibilities of inversion, etc., and simply builds textures and fleeting melodic gestures on the basic row. The text of phrases and single words is itself distributed in fragments among the voices, where, for example the basses might complete a phrase or even a phoneme of a word that was begun by the sopranos. This technique occurs throughout much of Nono's vocal writing. Likewise the instrumental writing for timpani, glockenspiel, vibraphone, harp and cymbals is pointillistic and without repeated rhythmic patterns in its texture. The musical effect is of a deep intimate feeling and of many textures of love and joy, not just the sentimental. "Erde bist Du ... Feuer Himmel ... ich liebe Dich ... mit Dir ist Ruhe ... Freude bist Du ... Sturm mit mir bist Du ... Du bist Leben ... Liebe bist Du (You are earth ... fire sky ... I love you ... with you there is peace ... your are joy ... storm are you with me ... you are life ... you are love)". ~ All Music Guide

Sculpture: "Pas de quatre" (1957) by Luciano Minguzzi (1911 - 2004)

Category:

Music

Tags:

• luigi
• nono
• liebeslied
• love
• song
• chorus
• choral
• choir
• vocal
• dodecaphony

[tandmark]

So beautiful, so unearthly./Indimenticabilmente bello./So gespenstisch und schön.

[WindyLomats359]

naa einzige deutsche hier

[marioguidoscappucci]

Quante meravigliose infrazioni alle "regolette" della dosecafonia accademica! Che forza espressiva e che cantabilità nella modernità aveva il giovane Nono!