I made most of this piece the other day, but it wasn't until I really listened to it afterwards that I discovered it was perhaps my unconscious response to the tsunami that impelled me to play in that particular way. The underlay of the tsunami rampaging through Kesennuma was added later, but the hang (prn. hung) was on a loop while I was playing. Live playing is manipulated in real time through a self devised system made in Max/MSP
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