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Uploaded on Sep 15, 2006
Anne Sofie von Otter
Claudio Abbado
Chamber Orchestra of Europe
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Top Comments
gabeproject 1 year ago
TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET TRIPLET
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Quincy Hall 1 year ago
Probably one of the best interpretations of this piece I have ever seen/heard. Anne Sofie von Otter does a phenomenal job of capturing the audience's attention and make subtle changes in her demeanor to go from one character to another (narrator, son, father, erlkonig)... WOW!
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Video Responses
All Comments (986)
etnocnad 2 days ago
Intense! My hair is standing on end!
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Андрей Рыбаков 1 month ago
In the school's music lessons we've known the story of this theme. This was awesome! I love this theme!
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Esther Aymi 1 month ago
I had to cry!!!
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Guiherme Dalponti 1 month ago
que som maravilhoso, os cellos em pizzicato fazem uma ambientação incrível
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Masherin 1 month ago
Lol, when I heard this song for the first time..I laughed..I thought it was kinda ridiculous; so much emotions. But now, 4 years later, I really appreciate this piece. This woman is very good!
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Servicios Río Bueno 2 months ago
mas lo escucho mas me gusta
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ajradecki9292 2 months ago
Berlioz was a wonderful orchestrator but I can't help wondering why he made the orchestration so dense during the child's lines.
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Glen Brixey 2 months ago
The camera is a little close for comfort! I guess that was intentional. I like how von Otter and Abbado are captured in the same shot. You can briefly see Abbado grimacing at 3:10
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zhanna guzhvenko 3 months ago
Abbado is Something they made a great performance together !
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