Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Mali 2009 with Ira Bond

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
1,933
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Oct 23, 2009

Djelifoli is the name of a rhythm that accompanies the Djelidon, the dance that used to be danced exclusively by the Djeli, the Griot (foli means rhythm and don means dance). This name is used as well in Guinea as in Mali. There are definitely several versions of Djelifoli; are they seperate rhythms? It seems that they are variation of the same rhythm. Originally the balafon, kora od n'goni were instruments that were exclusively played by the Jeli. So these instruments together with the djelidundun (Kasonka Dundun) were used to play the Djelifoli. Nowadays the rhythm is often played in the djembe ensemble. One of the songs/interpretations that is sung with Djelifoli is Lamba or Lamban. This name is used in Guinea but in Mali the claim the dance of the Djeli to be called Sandia (Sandya.) My teacher in Mali, Bobacar Diabate of the National Ballet of Mali states that Lamba is synonymous with Garakedon, the dance of the leatherworkers caste. In this video, you see him and I playing what everyone I met in Bamako and Mali to be Sanja. In Mali, Sanja takes on the meaning of what I was taught to be Lamban. He insists that there is a definite difference, and because Mali is the cradle of Manding tradition, their interpretation is true and correct. Written by Ira Bond

Category:

Education

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:

Uploader Comments (phillydjembe)

  • Actually, he was saying that Garakedon and Sandia are two different rhythms,and yes Sandia Sumale is yet another. In the video he is playing Sandia.

see all

All Comments (4)

Sign In or Sign Up now to post a comment!
  • This is really interesting information. I was taught by Abdoulaye Diakite of Tambacounda that lamba refers to a family of rhythms with jalidong, dansa, tagay and djinafoli making up that family of rhythms. I have never heard of garakadong. Wow. You learn something new everyday. Thanks for this!

  • woiw ...i like it! ;-)

  • i believe your teacher was referring to 'sandia sumale' having commonalities with garankedon. sandia sumale is not anything like lamban/sandia/djelifoli. thanks for the videos.

Loading...
Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more