L'Illusionniste - Extraits et Interview de Sylvain Chomet [VF]

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Uploaded by on Feb 19, 2010

Retrouvez toute l'actualité en film d'animation à cette adresse :
http://www.focusonanimation.com/

Retrouvez également l'ensemble des prochaines productions cinématographique à cette adresse :
http://lesfilmsdanimationavenir.jimdo.com/

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Film & Animation

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Uploader Comments (Mister3ZE)

  • Faut que je le vois ce film... Je viens juste de voir la bande annonce au cinéma et ça fesait longtemps qu'un film 2D ne m'avait pas autant enthousiasmé (j'adore les films 2D... c'est juste que les bons *et ceux qui ne cherchent pas à faire QUE du Disney... surtout que le Disney d'aujourd'hui ne vaut pas l'ancien, bien que y a eu de bonnes choses recemment... et y a généralement trop de comédies* se font un peu rares au cinéma... et la 3D est partout).

  • @RadicalDreamer17 Je te le conseille, il est excellent :)

Top Comments

  • I cannot wait for this... BEAUTIFUL

  • Part 4:

    And really, that also describes Jacques Tati himself. He is very elegant in real life. So we went in that direction. He's a bit of a charicature, he's more M Hulot, in fact. In real life he's always a bit surprised, a bit lost. It's the thing that I wondered most about at the beginning. Do we give him the same soul, are we going to see it's Jacques Tati?"

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All Comments (33)

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  • @deniskitchen I'm not a fluent speaker of French but thing is, with this film, you don't have to be. The entire film unfolds with a French man in the British Isles so there is that inherent theme of being alone in a foreign world and struggling to communicate. The result is that there is hardly any words spoken, but the strength of this film comes in its ability to express so much complexity and depth without clouding them with words.

  • did you notice the skinny gendarme from S.Chomet's "The Old Lady and the pigeons"?

    he was standing near the "Golden Arrow" ship. when Jacques Tati was going to London by ship.

    L'Illusionniste is such a good story. so sad. beautifull colors

  • À voir aussi pour la reproduction très fidèle de la ville d'Édimbourg, à prendre comme une déclaration d'amour pour une ville où Sylvain Chomet a vécu (et moi aussi 4 ans). Inutile de préciser que le film y a cartonné !

  • I... love the French. It makes me want to visit France...

  • Part 3:

    The only thing I really kept was I wanted to make it a sort of 'game' not to have close ups in this film. I wanted to describe a very, very intimate story between two people without using close-ups. To come back to Tati's work, meaning using camera at eye level, the height of a 6 foot man's eye level. In fact, it's more based on the real Jacques Tati than M Hulot. In the script the main character is described as very elegant. ...

  • Part 2:

    while the vision I had was to show a more 'down to earth' M Hulot with more natural settings. I wanted to find a way to show the 'magic' in the colours -- the colours of Scotland. If you know Scotland's earthy colours, the mountains are wild and brown, full of nuance. It never stops changing, the tone of the light constantly changes. That works very well with the script, because the story never stops changing. ...

  • Translation, Part 1:

    "At the beginning you really sense M Tati's presence. But it's not a M Hulot film, it's not really typical of Jacques Tati's films. The story of this film evolves between two people over a long period of time over a large geographical area whereas Tati's films usually take place in one time and place. I also wanted to do something very different, have a different look than Tati's films which are usually more design-y than this film, ...

  • The whole movie is a beautiful painting. An hymn to a dying art.

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