Vladimir de Pachmann (1848-1933): Liszt-Verdi - Rigoletto

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Uploaded by on Apr 9, 2008

Vladimir de Pachmann was one of the unique figures of 19th century pianism. He was born in the Ukraine and spent a long time in study in Europe before he began concerting before the public properly in 1882. From then until the 1920s he was regarded as one of the top half-dozen pianists in the world, and he has become known primarily as one of the greatest exponents of Chopin ever (though he was more than capable of performing much else besides).

His style belongs to no particular school and he produced no pupils to speak of. He was comparecd to Liszt, in so far as his approach was of his own and stood unique.

However, his approach to Chopin in particular was informed by a great deal of thought and study: similarities exist between his playing and that of Rosenthal, both of whom represent different branchs of an "authentic" Chopin tradition (where Rosenthal studied with Chopin's pupuil Mikuli, Pachmann studied with Chopin's last teaching-assistant Vera Kologrivoff Rubio). It is noteworthy that Rosenthal approached Pachmann for some guidance on Chopin performance.

In his last years, Pachmann developed a reputation as something of a performing clown in his concerts, with a penchant for babbling commentaries through his performances. This reputation is however undeserved: he began recording in the very early days of the grammophone, and his playing, even late in life, could display extreme sensitivity and undertanding. It by no means possible to assume all Pachmann recordings are going to be wonderful, but those that capture him properly can be moving and beautiful beyond almost all others. And his interpretations are refreshingly and utterly distinctive.

This performance was recorded in 1909 and is of Liszt's paraphrase of the quartet from Verdi's opera, Rigoletto.

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Top Comments

  • Glorious! Bravo! TY.

  • What a treasure! Thank you for uploading all theese wonderful recordings, and for having taken the time and patience to write the interesting and informative texts!

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All Comments (16)

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  • BRAVO!!!!!!!!

  • The fingerwork at 0:50 is the best fingerwork on any recording since the first recordings to now.

  • Bravo.

  • Je to úžasná lehkost prstů. Obdivuji. It´s amazing!

  • On evidence of this and other recordings that I've heard of Pachmann, he probably deserved to be taken more seriously than he was during his lifetime. It seems through historical documentation that his rather eccentric and capricious performing manner on stage tended to eclipse his obvious musicianship and artistry.

  • wonderfull!!!!

  • Thank you for letting us hear this elusive pianist, enjoyed this piece of Liszt greatly.

  • WowowowowoW!!!

  • bellissimo

  • Sir Paulo,you are very gentle with this humble dilettante whom is writing from a so so far place of the world!

    Nina(ankhsnammon)

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