Girl from Ipanema—Moraes & Jobim ♫ Katelijne Van Otterloo—Marantz—Ken Ishiwata

http://marantz-ki.tumblr.com
It is essential to understand what quality in original music really means. I believe this is the only way to reference the design process. You can't just take a commercial CD as a reference point, because you can't know the authenticity of its origins.
http://marantz.eu/kipearl
Girl from Ipanema (Vinicius de Moraes, Antonion Carlos Jobim)
☛Katelijne Van Otterloo (Vocals)
☛Erik Robaard (Bass)
☛Michiel Buursen (Piano)
☛Wim Kegel (Drums)
☛George Pelupessy (Pecussie)

—Michiel Buursen (Arraneur/Music Director)
—Fritz de With and Ken Ishiwata (Recording and mixing)
—The Masters, Maartende Boer (Mastering)
—STS Digital (M/W Coding | Process)
—Marantz, Ken Ishiwata (Produced by)



http://metmuseum.org/toah/works-of-art/1992.391
At the Lapin Agile, 1905
☛Pablo Picasso (Spanish, 1881-†1973)
Oil on canvas

The destitute outcasts featured in Picasso's Blue Period gave way, in 1905, to circus performers and harlequins in more colorful settings. At the Lapin Agile, a canvas nearly square and broadly painted, was originally conceived to decorate a bar in Montmartre, the interior of which is depicted here.

Since the painting would be seen across a crowded and smoky room, Picasso's composition was of posterlike simplicity. He aligned glasses and figures—hatted and shown from full-face to profile view—along severe diagonals, ending with a seated guitarist, Frédéric (Frédé) Gérard, the café's owner. Standing at the counter is Picasso himself, dressed as the melancholy and gaunt Harlequin in a vivid diamond-patterned shirt and three-cornered hat. Behind him, in profile with heavy makeup and pouty lips, leans Germaine Pichot, a model and notorious femme fatale, wearing a gaudy orange dress, bead choker, boa, and feathered hat. In 1901, unrequited love for Germaine had driven Picasso's close friend Carlos Casagemas to suicide, a melodrama that continued to haunt Picasso several years later.

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