I Mean You, JFJO in Brazil
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the haters got nothing on this. They sound great!
conguero76 3 years ago
im not sure of this version. but yer intresting i like listening to diffrent versions of things
arrowdan 3 years ago
You can't expect jazz today to sound like jazz from the 40s or even 60s...
I'm not a musician and I liked this version of Monk's classic.
BCKBCK 3 years ago
Try a little Keith Jarrett if you can't stand this!!
pjustusxi 3 years ago
It was actually Schoenberg who's known for the twelve-tone row. Haas' playing here sounds more classical to me (and tame, but I've listened to him a lot).
pjustusxi 3 years ago
That´s a way of playing "I Mean You" which is only "enjoyable" for really specialized people if you know what I mean.
Common "friends of Jazz" will find it hard to listen to it - no, actually not to listen but to LOOK at the piano player ^^.
No doubt he´s really great but... seriously...
I mean, you can´t watch this for a long time?
LL99LL 3 years ago
let's face it, this guy's music might be incredibly expressive, but it sounds like shit... downfall of jazz. I'll say that it's pretty awesome, but in a completely different way.
pianoanimal09 3 years ago
very good interpretation. I love the variations of the original melody. I think Monk would have loved your version. The interplay of traditional with post modern reminds me of jelly roll mortons stride piano meets stockhausen's tone row.
joetighe 4 years ago