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J. S. Bach - Prelude and Fugue n.17 in A-flat Major BWV 862 (WTC I)

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Uploaded by on Feb 8, 2009

from Well Tempered Clavier, Book I
Kenneth Gilbert, Harpsichord

Well-Tempered Clavier I-Gillbert playlist:
http://www.youtube.com/view_play_list?p=D9E6C683441EB7C2

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  • i playing

  • @wcbroccoli Hey, I've surprised people when I've explained that with some Pipe Organ pieces you're playing 5-6 parts at the same time.

  • @roderickingermany Indeed. I find many Americans are also surprised to learn that two hands can play more than two voices at the same time.

  • @wcbroccoli i find the second party of your reply very interesting. i still remember that i told a german some of Bach's Fuges are 3 or 4 voices. he was surprised and asked me," 4 voices??????? how will you play it with 2 hands.???" hahahaha

  • one of the greatest fugue that i PERSONALLY love <3

  • @askaninja6 Perhaps the word you're looking for is "illusion", not "delusion". In either case, there's neither and illusion nor a delusion of "perfect harmony", by which I assume you mean triadic harmony. You can create triadic harmony with only 1 voice.

    Where do you get the idea that a fugue consists of only 2 voices? Do you think that because the player has only 2 hands that he can only play 2 voices?

    Don't you realize that this is a 4-voice fugue?

  • @Malachayas He already did that in the actual prelude to this fugue.

  • @yiprock

    The strings of a harpsichord are plucked, not banged.

    The strings of a piano are banged (hammered).

  • How gorgeous!! Just can't beat the sound of a harpsichord for Bach!! :)

  • Wenn ich die Chance hätte, mit einer Zeitmaschine in die Vergangenheit zu reisen und Bach um einen Gefallen zu bitten, dann würde ich ihn bitten, aus der Sequenz von 3:39 bis zum Schluss ein eigenständiges Präludium mit diesem Part als Thema zu machen.

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