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Come nave in mezzo all'onde - Simone Kermes

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Uploaded by on Jan 2, 2010

Simone Kermes singt Johann Adolph Hasses Arie "Come nave" aus der Oper Viriate. Festliche Operngala für die Deutsche Aids-Stiftung, Berlin, Deutsche Oper, November 2009. Auf 3Sat übertragen am Samstag, 19. Dezember 2009. Dirigent Andriy Yurkevich, Generalmusikdirektor der Oper Odessa, leitet das Orchester der Deutschen Oper Berlin.

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  • what is wrong with you people? if you can't stand her, why are you watching her videos? this is a beautiful aria, as much as i like period instruments it sounds brilliant with the modern orchestra and Kermes's singing is spectacular. if you don't like it, go somewhere else.

  • Wwhhhaaa!!! Ihre Haare haben ein Eigenleben :)

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  • The operatic Lady Gaga...lol

  • jajajjajajajaja que graciosa, la adoro aunque no tiene una voz grande es capaz de hacernos pasar un buen rato. Sus vestidos y atuendos y sus peinados me fascinan y no canta tan mal como parece!!! lo que mas me gusta es su entrega al 100% n escena y su baile muy rok!!! muy pintoresca (desde el cariño) Brava!!! desde España

  • ha ha ha she is GLORIOUS GREAT blessed and a gift to all listeners!

  • those who are engaging her should be punished for that. She has a unique bad taste, a rare horrible tecnique and looks like a fake Bartoli way too much out of date..

  • @Fillo66 I totally agree with you and I am happy to hear that somebody like you and me still has got the idea of decent and respectful singing (things Ms Kermes hasn't got!)

  • @adprt I am noone but Music history is far more important than her!

  • @MisterPapageno

    and Simone Kermes without caring about your comments

  • i just want to know wtf is she wearing!!!!haha!!!

  • At least bad taste and trash way of singing Baroque music is reaching once happy German countries: Kermes' so called "style", her terrible prononciation of the sublime Italian lyrics, her trivial gestures are a good example of a general decline of the glorious German lyric tradition. Maybe forty years ago this type of performance could be barely appreciated at an operatic concert at Denver or Las Vegas, today it's perfect for a Berliner audience

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