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Conlon Nancarrow, study no.11 for player piano

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Uploaded by on Dec 7, 2008

The late, great Mexican-in-exile, Nancarrow, with his study no.11, performed here by a Bösendorfer Grand Piano with Ampico Player Piano mechanism.

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Music

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Uploader Comments (GreggaryPeccary)

  • Hello GreggaryPeccary!

    could you by any chance upload/post study no. 21? with the acceleration and deacceleration of 2 melodies simultaniously?

  • Sorry, don't have that one...

  • I have it posted

Top Comments

  • I SO love this piece... Nø 11 is the best. The culmination is like sex... building, Building BUILDing, BUILDING then WHAM!!!!! damn. Nancarrow produced while America Consumed.

  • oh my word!

    this is incredible!

    this guy is a genius!

    i'm so happy to have heard this.

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All Comments (46)

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  • @Fluffypopcicle I find some of this selection truly wonderful. I think repeated listening + the mechanical reproduction is the longevity interest killer. A recording of real performers, though 'fixed' has more to re-visit. (And comparing Stravinsky to anyone short of the very biggest of the big boys is a futile and meaningless exercise:-)

  • @Fluffypopcicle I agree with your assessment in part, but I find the melodies present in this particular study to be extremely pleasing to the ear.

  • @MuseDuCafe

    I figured as much, but I really think this is pointless after listening to it once. I find with Nancarrow that once the "interesting" factor goes away it just sounds ridiculous. Stravinski could pull off stuff like dissonance and polytonalities and still make beautiful music, but I find that most of Nancarrow material is literally just experiments with generally annoying things. That's my opinion though, I'm not trying to convince anybody of anything here.

  • This is an exceptionally brilliant piece of music! Thanks for this wonderful 'survey' playlist! I hope more people learn of Nancarrow's music by way of it!

  • @Fluffypopcicle NO. Nancarrow 'wrote' it specifically for mechanical reproduction on a player piano. He wrote by hand punching the holes in the piano rolls! His simultaneous use of different tempi for various muscial elements was not a complete innovation, pre-dated by Charles Ives, but he certainly took that several steps further. Never intended to be played by one (or more than one) pianist. Contemporary composer John Adams has transcribed a few of the studies for an orchestral ensemble.

  • is this... seriously possible to play on the piano? Or is this just one of those things where you use a player piano to play what just isn't isn't possible?

  • Do not criticize until you understand it . . .

  • Great rithm!!...Hallucinogen music.

  • @lefthandovRA He was born in USA but exiled in Mexico.

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