During the 2010 NAB convention ,There was a party at The Greek Isles Casino .Some people from ARRI brought their new Arri video camera .And didn't shoot 1 second of a fantastic Elvis Forever Show .It would have made a perfect test for the New Arri Video Camera , But they instead had it sitting on a table aimed at peoples crotches and the bar .... Why would they do that ? I had a few Coronas and was really enjoying the C.J. Charlton "ELVIS FOREVER SHOW " and had a Flip cam and wanted to capture the Elvis Forever Show . Here are some of the Elvis hits That C.J.Charlton performs ,
. HOUND DOG
The intro explodes into your ears, and into the public consciousness, as only A Hard Day's Night and Anarchy In The UK have since. So intense, two minutes of sustained viciousness and sheer malicious glee.
2. SUSPICIOUS MINDS
As a mature and supremely confident Elvis harmonises with himself, you can feel the shackles of Hollywood falling away. The shock of the middle eight ("let our love survive") will make you catch your breath.
3. MYSTERY TRAIN
Singing high and free, even a runaway train can't take his gal away. Scotty Moore and Bill Black never played better, but Elvis's whoop of delight at the end takes the cake.
4. HEARTBREAK HOTEL
A freaky but inspired choice of first 45 for a major label. To enhance the atmosphere of seedy desolation, Elvis chose to record the vocal at the end of the studio corridor.
5. I JUST CAN'T HELP BELIEVING
Encapsulates the live, second-coming - his band never sounded better. The back-and-forths between Elvis and backing singers the Sweet Inspirations ("one more time... yeah, one more!") are the highlight.
6. SUSPICION
A teenage pre-cursor to Suspicious Minds, and almost as good. Shadowed by autoharp and a sinister bassline, the victim's pained politeness explodes into paranoia at the end of the chorus: "Why torture me?"
7. GOOD ROCKING TONIGHT
No less than an invitation to come join the teenage revolution. "We're gonna rock all our blues away" - the original slang usage of 'rock 'n' roll' was never more explicit.
8. DOING THE BEST I CAN
From the GI Blues soundtrack, a Pomus and Shuman ballad of abject surrender. The vocal gets under your skin, keening and helpless - no wonder girls melted.
9. ONE NIGHT
This snarling menace to American moral fibre had to be toned down from "one night of sin" to "one night with you," though the performance is so loaded with sexual promise they needn't have bothered.
The entertainment life must be difficult. But at least this act keeps your armpits flexible. That's got to be good for something.
onjoFilms 1 year ago
@onjoFilms Thank Yaa ... Thank Ya Very much ,Uh huh huh .
XIS99 1 year ago