This art color wheel tip is almost too easy

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Uploaded by on Mar 28, 2009

http://www.wittebol.info/

It was Isaac Newton who first introduced the color wheel - based on red, yellow and blue - back in 1666. Ever since that time there have been many scientists and artists making their own variation of this concept resulting in a lot of lively debate.

So what is the problem?

Well, the problem is that the exact same color can appear completely different depending on the colors that surround it, meaning that you always have to look at a color in context with the other colors.

By using the color wheel it becomes easier to understand the relationships between those colors including locating a color's compliment. Knowing this complimentary color is essential for the painting process in order to get a harmonious color balance in the painting.

The color theory in a nutshell:

First we have the primary colors: Red, yellow and blue. These are the 3 pigment colors that can not be mixed or formed by any combination of other colors. All other colors are derived from these 3 original colors.

In the second place we have the secondary colors: Green, orange and purple.

Colors such as red-orange, red violet, yellow-green, yellow orange, blue-violet, and blue green, are mixed from the primary and the secondary colors and they are called the tertiary colors.

Complimentary Colors:

All the colors directly opposite each other on the color wheel are complimentary colors, each the compliment of the other.

When a color is mixed with it's complimentary color, it will begin to grey, producing a semi-neutral color. When more of the compliment is added, the mix reaches a point where the colors "grey each other out", and neither color can be seen. This they call neutral.

Placing complimentary colors next to each other, enhances both, making both colors seem more vibrant and intense.

When building up a painting you should always make a good use of the "neutral" colors just mentioned above. You always start with an underpainting of various shades and tones of grey, from very dark to very light, like a black and white photo.

After that is done you finish with the brighter colors. That's the way to get a good and balanced contrast in your painting.

For a thorough understanding of the color theory it is strongly advised to read this article one more time, but now on the webpage that you can link to in the author box, because the color illustrations there, really help a lot. The coin will drop.

JanPaul Wittebol is an artist and oil painting enthusiast. For a better understanding of the art color wheel visit http://english.janpaulwittebol.com.

Article Source: http://EzineArticles.com/?expert=JanPaul_Wittebol

JanPaul Wittebol - EzineArticles Expert Author

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Uploader Comments (PhreelanceSF)

  • wait, I thought red, GREEN, and blue were primaries, not red YELLOW, and blue :\

  • @CRIMSONxFROST

    There is a famous painting called: "Who is afraid of Red, Yellow and Blue".

    When you mix blue and yellow you get green.

    You cannot get yellow out of green.

    So yellow is the base color.

    Therefore the primary color.

  • @PhreelanceSF Thats partly correct, in additive colouring, that is when you generate light (such as a computerscreen) CRIMSON is right, Red, Green and Blue (RGB) are the primaries.

    With subtractive colours, which is when you have a surface partly absorb white light and then bounce the colour you see, Phreelance is right, Cyan (kinda blue), Magenta (kinda red) and Yellow (CMYK) are primaries.

  • @oNWSo

    I am talking about the colortheory as it applies to painting. Why it is important for a painter and how you can deal with it while painting.

    What is important is the perception of color, and that that perception changes when the surrounding colors change. Very few people understand that. That's why painting is art. It's not a mathematical formula.

  • that's right..

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All Comments (30)

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    dddddddddddddddddddddddddddddd­dddddddddddddddddddddddddddddd­ddddddddddddddddd

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    lllllllllllllllllllllllooooooo­oooooollllllllllllllll

  • I totally agree, that the exact same color can appear completely different depending on the colors that surround it, meaning that you always have to look at a color in context with the other colors.By using the color wheel it becomes easier to understand the relationships between those colors including locating a color's compliment. Knowing this complimentary color is essential for the painting process in order to get a harmonious color balance in the painting.As an artist, this is useful for me

  • BORING!

    

  • If we mix red blue and green paint, we wont get white, correct? Because I dont think I've ever seen that with paint.

  • @CRIMSONxFROST lol thx most people would call me dumbass, but thx :D

  • @PhoenixBaby96 this is from such a long time ago, I can barely remember this conversation haha :) I looked it up and what you said is right.

  • @CRIMSONxFROST well evidently you never took art classes when you were little, cause RED YELLOW AND BLUE are primary colors. secondary colors are orange green and purple red and green are complimentary colors so are yellow and purple along with orange and blue and even the NAPA logo has orange and blue and it looks great :) hope you liked my help

  • You don't need to look at a color wheel to find complimentary colors. The way you find a complimentary to a color is by taking any of the primary colors, singling whatever you want out, then adding the other two together.

    So if you want the complimentary of Red, you take away Blue and Yellow, which mix into Green, Red's compliment.

    Y = B+R = Purple

    B = R+Y = Orange.

    It's as simple as that.

    If you want on for secondary, take the mixed colors apart and see what's left, that's it.

  • Does anyone know what colour you get when you mix Olive Green and Greyish Blue?

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