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Leontyne Price "Im Abendrot" by Strauss Live 1971

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Uploaded by on Jul 28, 2008

1971

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Music

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Standard YouTube License

  • likes, 1 dislikes

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Uploader Comments (Onegin65)

  • I am always looking forward to your rarities that you put on Onegin65. Rare Leontyne Price, Jurinac, Jussi, Victoria de los Angeles, Milanov, Montserrat Caballe and Eleanor Steber. Thank you.

  • My pleasure

Top Comments

  • Long live Onegin65.... coz LEONTYNE is anyway immortal!!!!

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All Comments (32)

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  • Harsh and confused sound, it's a pity... but stunning singing.

  • I'm having a little hard time with my operatic vocal training!! i always thought i was a lyric or a spinto tenor!! now with the maturation of my voice it seems to be that I'm a leggiero as i tend to hit easy the hit piches, but kind of losing in the low ones!! and man it is really confusing, it'd be great and advice of price herself XD

  • Leontyne has a gorgeous voice for the Strauss 4 Last Songs but the quality of this live, obviously pirated recording is terrible and she sounds very distant and faint. I wish the sound was better. 1971 was still a good year for Leontyne and her singing was beautiful. Her vocal problems began in the late 70's and about the time she was set to retire (1980). I think that as beautiful as this is, no one can top Jessye Norman's 4 Last Strauss recording from '82.

  • @MastersoftheOpera I wouldn't compare the two. Just appreciate their renditions for the beauty that each merits

  • @mjmacmtenor Why make conmparisons? They are two different singers.

  • Leontyne singing Im Abendrot is just grand. She has the right voice for Strauss but I much prefer Martina Arroyo singing Im Abendrot. She has a more subdued voice that is quietly spiritual and yet big enough for the Strauss music, with a simple, heart-felt rendition. I love Leontyne but if I had to choose between her and Martina's 4 Last Song played at my funeral I'd chose Martina.

  • Didn't know she sung these 4. Her Ariadne I must find.WOW!!!

  • I find all these four songs done with this conductor too fast, without the relaxed tempi that seem to me more suitable.

  • That legato is SOOOOOOOO right!!!! Why do we always think of "ritorna vincitor" when we hear her name?!?!?!? I suppose the italian repertoire made her rich and famous, but she could cross those musical barriers better than Nillson and co.

    Thank you, again, Onegin for all this listening pleasure.

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