Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

What are the criteria in choosing a mago?

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
2,043
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Mar 30, 2007

Darryl Digarrnga explains here in the Mialli language and in English how a mago is made or chosen to suit the voice of the singer. An effort is made to match the voice with the instrument, or the instrument to the voice. It seems that pitch is what it is about, though Darryl uses the words tune, low/high and heavy/light.

Among Bininy, singers with a shrill or high voice are esteemed and considered the best. An instrument with a similar quality, specifically pitch, is chosen to match his voice. This may explain the predominance of higher pitched instruments among Western Arnhem Land groups.

Interestingly, Darryl explains off-camera that his brother-in-law Jack Nawilil, whom he often refers to as "djunggayi", can sing two voices, one 'low' and one 'high'. During the Darwin Festival in 2006, Jack modified his usual 'low' voice to sing 'high' in order to match the voice of the Banyawarra mago. So depending on what instruments are available and also on the personal preference of the mago player, either a singer can 'tune his voice up' or 'tune it down' to match the key of a mago, or a mago can be chosen to specifically match the voice of the singer.

The clip taken at the Darwin Festival can be found here:

http://www.youtube.com/watch?v=fhF4ScuucGI

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 0 dislikes

Link to this comment:

Share to:
see all

All Comments (4)

Sign In or Sign Up now to post a comment!
  • Glad these vids are useful... keep supporting iDIDJ Australia so we can continue this sort of work!

  • nice description!

  • Mago sounds for me very familiar with magic - etymologically: full of amazing soundscapes, sometimes roaring silence in the desert next time whispering shout of the roaring sea - plenty of paradoxical perceptions during the play

  • Darryl is great guy to explain so much about the Mago. Often, this instrument is overlooked in favor of the Yirdaki. Thanks again to Guan for posting these where anyone can look, listen and learn.

    Vern

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more