Garry Winogrand - Part 1
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Uploaded on Sep 10, 2007
Documentary on Garry Winogrand - Part 1
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Uploader Comments (Eliverto Scherer)
Tuberkel 4 years ago
can u please add some information about the documentary (concerning the publication year, the author, where it was shown etc.?). it would be a great help for foot-note citations...thanks a lot
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Eliverto Scherer 4 years ago
Garry Winogrand with Bill Moyers, Creativity, WNET, 1982
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Top Comments
Daniel O'Connor 3 years ago
I love this man. A no BS kind of guy who loves what he does. His little dance with the filing cabinet towards the end is great. He is very careful not to lock the keys in the cabinet.
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freeekyflush 5 years ago
what does he say at ca. 05:49 - "There isn't a photograph in the world that has any narrative... (quality?)"?
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All Comments (26)
kronicred 1 week ago
When he talks about most of the photographic process being failure.. that hits it right on the head.
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kavelj23 4 months ago
Around 2:15 he says: There isn't any photograph in the world that has any narrative ability.
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DiamondDollFab 2 years ago
I found this very helpful. I had 2 do a paper on him. Its nothing like being able to get the information straight from the source
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helenlundeberg 2 years ago
"narrative ability" is what i understood.
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vichiousfishes 3 years ago
He could have killed a 40mb flash in a day! That is a whole lot of film.
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Quex01 3 years ago
Say NO to khazarian photography!
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JamesDusk 3 years ago
Really you KNOW they would have all done this?
Wow...cos I know lots of famous photo artists alive who DO NOT use a computer.
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grubriella 4 years ago
I enjoy both digital and film cameras
though a camera is only a tool, and vision is the most important aspect; to me, aesthetics are important as well.
because of that, I choose film for b&w. To me, b&w looks better on film than digital. Also, prints on fiber paper, looks better than any b&w prints made from digital.
You may call me a geek, but I enjoy photography and don't spend ages "modifying" my images on my computer or in the darkroom. I print as is.
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