The left ones aren't worth mentioning. Saioa Hernandez has a rich, expressive voice, sweet pianissimi, and fine lower register, brilliant High Cs.And what I like most, her fearless attacks in "..Ve-la...Ce-la" (Even Caballe can not)which is really exciting!
I even have never heard of the soprano. She is excellent here!Excerpt my favorite Caballe's and Fleming's(in the's studio recording), all the other Mad scene from Il Pirata are disappointing for me: Anderson's voice too thin and she past her prime then; Callas' is good, but the poor sound quality distorted her voice to some extent(though I cherish her live "Il Pirata") ; I dislike Mara Zampieri's timbre and her mushy techniques;The over-boosted Lucia Aliberti is a real vocal disaster!
The left ones aren't worth mentioning. Saioa Hernandez has a rich, expressive voice, sweet pianissimi, and fine lower register, brilliant High Cs.And what I like most, her fearless attacks in "..Ve-la...Ce-la" (Even Caballe can not)which is really exciting!
dyingswine 1 year ago
I even have never heard of the soprano. She is excellent here!Excerpt my favorite Caballe's and Fleming's(in the's studio recording), all the other Mad scene from Il Pirata are disappointing for me: Anderson's voice too thin and she past her prime then; Callas' is good, but the poor sound quality distorted her voice to some extent(though I cherish her live "Il Pirata") ; I dislike Mara Zampieri's timbre and her mushy techniques;The over-boosted Lucia Aliberti is a real vocal disaster!
dyingswine 1 year ago