Opéra national de Paris (2009) Kazushi Ono (Director musical) Mariusz Kwiecien (King Roger) Olga Pasichnyk (Roksana) Stefan Margita (Edrisi) Krzysztof Warlikowski (Director de escena)
I like how the composer (Szymanowski) uses his instrument to the fullest, using all the forces available, soloists, chorus and orchestra to their capacities, pushing the Art forward. D. Alexandr D'Maddalena
I like how the first act ends, Amen sung the Latin way and Amin sung the Greek Orthodox way. Very interesting, perhaps symbolizing the dual nature of King Roger's affection. Alexandr D'Maddalena
I like how the composer (Szymanowski) uses his instrument to the fullest, using all the forces available, soloists, chorus and orchestra to their capacities, pushing the Art forward. D. Alexandr D'Maddalena
douglasmatley 4 months ago
I like how the first act ends, Amen sung the Latin way and Amin sung the Greek Orthodox way. Very interesting, perhaps symbolizing the dual nature of King Roger's affection. Alexandr D'Maddalena
douglasmatley 7 months ago
The Tenor I mean is the Boy Freind and Baritone King Roger.
douglasmatley 7 months ago
Very beautiful what voices! The tenor and baritone are fantastic. King Roger is very handsome. Alexandr D'Maddalena
douglasmatley 7 months ago