John Wetton (U.K., King Crimson) interview 1979
Uploader Comments (rpcurtiss)
Top Comments
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geez you people are awesome for keeping and uploading vids like this ! thanks a lot
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Is it just me or does John look and talk exactly like Russel Crowe? You wouldn't want to mess with either one in a bar fight that's for sure.
All Comments (118)
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you surely can listen to all king crimson straight you dont have to be stoned or buzzed...sorry mr wetton,prog is much more rewarding when you listen to it head on
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In the period with King Crimson R. Fripp was too much dominant and unable to create a true team game, unlike in the work of UK
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Well actually, except for a commercial track like "Nothing to lose", UK has often produced great fusion progressive and fine symphonic tunes like "Carrying No Cross" or "In the dead of night", sometimes played in a more technical and versatile execution (think of "Presto Vivace" or "Alaska/Time to kill"!
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he kinda looks like Ashton Kutcher.
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Awesome interview! It's too bad that, at that time, Wetton wanted more "organized" and accessable music because his work with KC is phenomenal to say the least!
I think many bands compose their best music when their's a "frictional" dynamic in the band. In other words, the band members are tugging in different directions and causing internal conflicts. I think it's bands, like Rush, who can move past these conflicts and respect one anothers' views that write consistently great music.
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@roetfuss yes
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so it makes sense that they could have been inspired by boffomondo.
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@veplaini Wayne's World didn't come out until the 90's
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IMO Wetton was a better bass player, but Lake was a better vocalist by far.
is the intro song by crimson? if so, what is it?!??!
vyse75 1 year ago
@vyse75 The song is called "Mescal" from the Italian prog band Arti & Mestieri, circa 1975.
rpcurtiss 1 year ago
Your archive is fantastic! Thanks for sharing.
Just one curiosity, if you don't mind me asking: were you an 'inspiration' for that spoof comedy film, "Wayne's World"? No offense intended.
veplaini 1 year ago
@veplaini No offense taken. I've been asked this many times. If so, I'd like some royalties! Most cable shows in 1979-82 relied on whatever old equipment they could get as newer technology was beginning to be used in commerical media. I am proud of the fact that we had the idea to do these, and had some
great "connected" record industry people to get us these progrock gods. Thanks for your support!
rpcurtiss 1 year ago
These are wonderful! How did you get these guys to interview?
MrChad6729 2 years ago
We had connections through the late great Tony Harrington, who once worked for Atlantic Records.
rpcurtiss 2 years ago