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Uploaded by on Jun 5, 2008

Track 7

Phantom: Richard White
Christine: Glory Crampton

It's not quite what Christine had in mind, but she's thrilled anyway. Just to be in the Opera House is enough! Left alone on the legendary stage to collect costumes, she looks out dreamily, clutching a costume. Somehow, it feels as if she's Home...
Down below, the Phantom, filled with despair, hears her angelic voice. It's what he's been waiting for, maybe all his life.

(personally, this is my favorite track in the whole musical)

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Music

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Standard YouTube License

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Uploader Comments (jesterimb)

  • I love this song more than anything!!!

  • if only i could find the sheet music for this piece... ) :

  • @jesterimb for what instrument?

  • @SymphonyforSybelle for piano and voice,but somebody from these comments already emailed for me already! thank you

Top Comments

  • Richard White's voice makes me want to cry, and I'm a straight male.

  • Oh wow this is absolutely stunning. It's about so much more than just the beautiful melody- the lyrics themselves are incredibly rich! I wish more people knew about the Yeston Phantom of the Opera!

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All Comments (23)

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  • @RinoaLionstar REALLY?! I didn't notice!

  • @GangreenGangBunny123 How perfect, given White does Gaston! XD

  • @jesterimb Singer's Musical Theatre Anthology, Volume 4, Soprano. I have that book and it has the sheet music for voice and accomp piano.

  • I did this musical at school and absolutely loved being a part of it! Its filled with so many feelings :-) We did this a year after doing Yeston's Titanic and both musicals are very very touching. Thank you Jesterimb, I have been wanting to listen to this stuff for a while but keep on forgetting

  • Hey it's Richard White!

  • This is a beautiful song- while I do also like ALW, I really, really like this version

  • @Kushami17 No shame in that

  • This Christine sounds like Belle from Beauty and the Beast (Disney).

  • Can someone reply where I can find free sheet music for just this song?

  • i think this musical totally got screwed over by andrew lloyd webber's version. i mean, webber's version is flashier and catchier, but this one is pretty damn good too. i think it would have been much more of a hit if andy-L hadn't taken the spotlight with his gigantic-budget production.

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