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Uploaded on Mar 9, 2010
The process of freezing is a break between movements. As such, the structure of the concert, perforated with suspensions breaks between points, is an emergence of a performance of frozen images, full of texts, contemporary electronic rhythms, exasperated guitars, noisy oscillations, and hypnotic bass lines. Along with the performers actions, tactile interfaces, and moving pictures, the performance raises questions about hypersexualisation and pornification, fetishisation in consumerism, mechanisms of the image and visual culture, idealisation of love, and the meaning of art and culture. Movement, text, and frozen images open up in their primary way precisely based on contemporary organised noise. The music, ambivalently contextualised through the video image and movement, stretches out to the body and its vibration, rational and affective. Frozen images get broken by the vibration of the word and the moving of the actual flesh/body in all its resistance.