Segovia masterclass Chaconne J.S.Bach 2/4
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He considered it his "calling" in life, to be the disciple of the guitar, and he certainly did change those attitudes. He also embraced recording very early on, before it was respected in the world of classical music (a traditionally very pretentious bunch ;-) ) and exposed the world not only to the magnificence of the guitar but to classical music in general. He was quick to point out that Bach himself spent a great deal of time transposing his (own) works to other instruments.
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but this part beginning at 1:50, they just cant touch the way it sounds on violin, needs to shriek and sob more.
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@padario44 ya , from what i understand he got a lot of shit for playing Bach on the guitar, at the time the classical artists considered it a a silly instrument unworthy of the classics
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It was wrote for the violin. There is no proof, Bach even wrote for the lute. And i think Segovia was the first to put it into the guitar rep.
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@kandykid13 lol true
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segovia is very articulating to every notes, he urgs all who played the chaconne to plaed that very slow first be patient because that piece is not just a ordinary piece. follow all the fingerings in his transcricption. thanks,.. leo rene
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Baroque
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el maestro segovia
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Segovia seems to have a little more patience with his female students doesn't he?
kandykid13 3 years ago 36
He wasn't impatient. That's the best way to teach, just correcting immediately, and playing the right way so the student listens, otherwise you'll keep doing the same mistakes.
SoullessOpeth 2 years ago 15