William Burroughs
http://www.google.co.nz/imgres?imgurl=http://i81.photobucket.com/albums/j209/...
During 1953, Burroughs was at loose ends. Due to legal problems, he was unable to live in the cities towards which he was most inclined. He spent time with his parents in Palm Beach, Florida, and New York City with Allen Ginsberg. When Ginsberg refused his romantic advances,[17] Burroughs went to Rome to meet Alan Ansen on a vacation financed from his parents' continuing support. When he found Rome and Ansens company dreary, inspired by Paul Bowles' fiction, he decided to head for Tangier, Morocco.[18] In a home owned by a known procurer of homosexual prostitutes for visiting American and English men, he rented a room and began to write a large body of text that he personally referred to as Interzone.[19] Burroughs lived in Tangier for several months, before returning to the United States where he suffered several personal indignities—Ginsberg was in California and refused to see him, A. A. Wyn, the publisher of Junkie, was not forthcoming with his royalties and his parents were threatening to cut off his allowance.
All signs pointed him back to Tangier, a place where his parents would have to continue the support and one where drugs were freely available. He left in November 1954 and spent the next four years there working on the fiction that would later become Naked Lunch, as well as attempting to write commercial articles about Tangier. He sent these writings to Ginsberg, his literary agent for Junkie, but none were published until 1989 when Interzone, a collection of short stories, was published. Under the strong influence of a marijuana confection known as majoun and a German-made opioid called Eukodol, Burroughs settled in to write. Eventually, Ginsberg and Kerouac, who had traveled to Tangier in 1957, helped Burroughs type, edit, and arrange these episodes into Naked Lunch.[20]
Whereas Junkie and Queer were conventional in style, Naked Lunch was his first venture into a non-linear style. After the publication of Naked Lunch, a book whose creation was to a certain extent the result of a series of contingencies, Burroughs was exposed to Brion Gysin's cut-up technique at the Beat Hotel in Paris in September 1959. He began slicing up phrases and words to create new sentences.[21] At the Beat Hotel Burroughs discovered "a port of entry" into Gysin's canvases: "I don't think I had ever seen painting until I saw the painting of Brion Gysin."[22] The two would cultivate a long-term friendship that revolved around a mutual interest in artworks and cut-up techniques. Scenes were slid together with little care for narrative. Perhaps thinking of his crazed physician, Dr Benway, he described Naked Lunch as a book that could be cut into at any point. Although not considered science fiction, the book does seem to forecast—with eerie prescience — such later phenomena as AIDS, liposuction, autoerotic fatalities, and the crack pandemic.
what the mother fuck did stuble into
joruss442 2 years ago 5
A bullet in the right place is no substitute for the real thing
molecularash 2 years ago 3