2009高雄國際貨櫃藝術節_光光光 2009 Kaohsiung Container Art Festival_Light Light Light

2009 高雄國際貨櫃藝術節
11/ 29 於駁二藝術特區開幕展出紀錄

光光光 / 宋恆

「越是持恆不變的，越無法與時代做互動。」

從古典建築空間的觀點，其所信仰的永恆從在等同了存在價值；而如此看 似依賴的不可變化性，在未來正面臨著挑戰。

在未來理想城市中，人們身體的自主性，與建築空間所作為的客體回應產生著逐漸模糊化 的趨勢；進而開始想像建築空間能夠以自生姿態主動發言，甚至將其視待為如有機生命體。空間可以不必等待人類的發號施令，就自主作決定行動。

在作品「光光光」中，以貨櫃作為的微型建築空間內，藉由燈光光束來組織架構起三維 「類科幻」空間，透過觀賞者的及時介入觸發互動感應機制，將程式訊號轉換為不斷改變的「光」加以進行重組。視覺強力衝擊持續延伸至觀賞者感官，同時光影也 延伸出了視覺所相信的「新空間」。

「光x光x光」，以「光」為乘積求出關於空間與人互動對話的答案。

2009 Kaohsiung Container Art Festival
11 / 21opening record in Pier 2 Art District

Light Light Light / Sung, Heng

The longer it lasts in an unchanging state, the more ability it lacks to interact with the times.

In the ideal city of the future, there is a trend that the responsive relationship between the subjectivity of the human body and the objective existence of architectural spaces has become increasingly blurring. Spaces will not have to wait for human orders, but can decide their actions by themselves.

The Light Light Light structures by beams of light into a three-dimensional quasi science-fiction space. When visitors activate sensor-operated mechanisms in real-time, a computer program will convert their movements to constantly-changing patterns of light. The visual impact will expand continuously until it reaches viewers senses, and the light will also create a visually-believable new space.

The product of light x light x light is used to derive an answer to the interactive dialog between people and space.

Category:

Entertainment

Tags:

• 2009
• Kaohsiung
• Container
• Art
• Festival
• light
• beam
• sung
• heng
• new
• media
• interactive
• installation
• arduino
• sensor
• quasi
• science
• fiction
• space
• show
• taiwan
• 高雄國際貨櫃藝術節
• 空間
• 光光光
• 宋恆
• 駁二
• 日光燈
• T5