Linear Mythos

The Humbling River Version -

Ethos appears in the visual art of famous or mythological ancient Greek events in murals, on pottery, and sculpture, referred to generally as pictorial narrative. Aristotle even praised the ancient Greek painter Polygnotos because his paintings included characterization. The way in which the subject and his actions are portrayed in visual art can convey the subject's ethical character and through this the work's overall theme, just as effectively as poetry or drama can. This characterization portrayed men as they ought to be, which is the same as Aristotle's idea of what ethos or character should be in tragedy. Pictorial narratives often had ethos as its focus, and was therefore concerned with showing the character's moral choices. The main way Aristotle considered poetry and visual arts to be on equal levels was in character representation and its effect on action. Aristotle's interest has to do with the influence that such ethical representation may exert upon the public. According to Aristotle, "The activity of these artists is to be judged worthy and useful above all because exposure of their work is beneficial to the polis. Accordingly, this was the reason for the representation of character, or ethos, in public paintings and sculptures. In order to portray the character's choice, the pictorial narrative often shows an earlier scene than when the action was committed. An example of this in the form of a picture by the ancient Greek artist Exekia which shows the Greek hero Ajax planting his sword in the ground in preparation to commit suicide, instead of the actual suicide scene. Ancient Greek art expresses the idea that character was the major factor influencing the outcome of the Greeks' conflicts against their enemies. Because of this, "ethos was the essential variable in the equation or analogy between myth and actuality.

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• Linear
• Ethos
• Myth
• Joseph Campbell