AMMmusic ailantus glandulosa 1966

track 03
Cello, Accordion, Clarinet, Performer [Transistor Radio] - Lawrence Sheaff
Composed By - Cardew* , Prévost* , Rowe* , Sheaff* , Gare*
Electric Guitar, Performer [Transistor Radio], Artwork By - Keith Rowe
Percussion, Liner Notes - Eddie Prévost
Piano, Cello, Performer [Transistor Radio] - Cornelius Cardew
Producer - DNA (18)
Producer [Credited To] - Alan Becket , John Hopkins (5) , Peter Jenner , Ronald Atkins
Saxophone [Tenor], Violin - Lou Gare

Category:

People & Blogs

Tags:

• electronic
• modern classical
• noise
• experimental
• uk
• ammmusic
• amm
• 1966
• ailantus glandulosa

[Bizarronumber4]

You can hear the influence AMM had on later experimental musicians on tracks like these.

[delfinosqualo]

@Bizarronumber4 electronic music for example



[isackiuk]

Members of the Beatles used to occasionally listen to AMM live. You think "Revolution 9" came out of music like this?

[delfinosqualo]

@isackiuk I think so. I loaded other songs so you can listen the rest of this album

[TomBandfield]

Ahhhh man, thanks for uploading this! Been looking to hear some AMM for ages :D

[delfinosqualo]

@TomBandfield :)

[thefreewave]

@grahamlaur I do. Paul was a family man too and like the other Beatles occasioanlly wrote family oriented fare (Octopus's Garden, Yellow Submarine) Ob-la-di Ob-la-da never gets its credit as an early reggae-esque track that's why the White Album worked as its more-genres-on-any-album then any other. If the Beatles had done ONLY stuff like this people wouldn't have liked them. Instead you get one song Revolution#9 doing weird sound collages vs a whole album and it stands out.

[DerrickthePinecone]

@Bizarronumber4 Indeed. Especially had a major influence on Syd Barrett.

[grahamlaur]

@isackiuk I just don't understand how someone who heard AMM could turn around and write "Ob-la-di Ob-la-da." And I know McCartney was one of the ones who heard AMM.

[Zygmunt3Fraza]

industrial