Richard Wright describes writing "Breathe" from Dark Side of the Moon
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Instead of going G-B-Em he goes G-D7#9-D7b9-Em the way the dissonance resolves is gorgeous.
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gênio!!!!!
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It's a fantastic chord and totally transforms that section of the song. Jazz harmony FTW!
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@YungShady01 D7#9
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Does anybody know what chord it is that he is talking about? He's right (that's kind of a wordplay but), it sounds awesome. What a genius.
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@pagani43 Thank you!
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@martinaxman It's from the Classic Albums DVD.
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This is an exceprt from some interview that I've heard before. Any idea which one? Thanks.
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RIP
erlendskar 1 year ago 14
@YungShady01 Here's the notes going up from lowest to highest. 1st chord D F# C F; 2nd chord D# F# C D#; 3rd chord E G B E. The 1st chord (the "jazz one") is really useful. You can play in any key. This is the formula: Bass note is root, then major third, followed by 7th, the minor third (as in key of D: D F# C natural F natural) Its officially written as a D7#9 in lead sheets. Change bass note to an Ab and its now a Ab13 chord (the tritone substitution as its known)
FairDealDan 8 months ago 7