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Book1- 4 BWV 849 Bach Well-Tempered Clavier 初音ミク 平均律クラヴィーア曲集

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Uploaded by on May 2, 2008

From Nico Nico Douga
初音ミクによる バッハ 平均律クラヴィーア曲集第1巻 第4番
http://www.nicovideo.jp/watch/sm1537783
http://www.nicovideo.jp/watch/sm1537827
This video combines two original videos.
BWV849 前奏曲 - 5声のフーガ 嬰ハ短調
BWV 849 Prelude & Fugue
Bach

The Well-Tempered Clavier Book 1
Das Wohltemperirte Clavier Buch 1

using vocaloid Miku Hatsune

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  • plz neve remove this or i will cry and die, this is so beautifull

  • No; I am trying to play this 5 voice fugue on piano and this computer version really helps a lot you know? Because it uses 5 clearly different voices, and now I know when a new voice begins (which needs emphasis on piano). Indeed it sounds crazy, but it's good for study-purposes. Wonder if there is an orchestra version for fugue 849.

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All Comments (12)

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  • 初音ミクと、平均律クラヴィーア曲集の相性はぴったりですね!

    This is wonderful!

  • Bach sounds good on anything. That one of the amazing qualities of Bach's music, it's clarity is clear. hmm. that sounded redundant. clarity clear. O well. ya get me.

  • "BTW, you don't always want to stress every entrance. What do you do when all 3 subjects occur together?"

    Lol, Go crazy. That's what.

  • 长见识了,初音还可以做这个。

    谁把赋格的艺术试一下?

  • No, that's it! I've never been trained in Bach, countersubjects, no idea, never had music classes for classical music, found it too expensive. Just some chords when I was younger. I find it hard to read scores as well. I puzzle and memorize. Only strong motivation brings me to play many of these fuges, for 10 years already. I find them wonderful, they never bore, and indeed very logical. So to answer your last question: I don't know.

  • No, that's it! I've never been trained in Bach, countersubjects, no idea, never had music classes for classical music, found it too expensive. Just some chords when I was younger. I find it hard to read scores as well. I puzzle and memorize. Only strong motivation brings me to play many of these fuges, for 10 years already. I find them wonderful, they never bore, and indeed very logical. So to answer your last question: I don't know.

  • Well, you could just look at the keyboard score to see the entrances of the different subjects/countersubjects in various parts. Do you know the subjects/countersubjects?

    BTW, you don't always want to stress every entrance. What do you do when all 3 subjects occur together?

  • the fuga sounds great

  • It is difficukt for piano ,in many-voice-parts. One problem is that vocal-software is ot good in bass-part, as in alto-soprano.

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