Stalker - the pool sequence (Tarkovsky-Artemiev)
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Uploaded on Feb 17, 2008
One of the most aestetic beauty film sequence i ever saw in a film. The images and the music in a perfect match... enjoy...
Una de las secuencias filmicas de mayor belleza aestetica, que jamás haya visto. Las imagenes y la musica en perfecta armonia... disfrutenla...
Dedicada para EA.
From "Stalker", director: Tarkovsky, music: Eduard Artemiev.
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Top Comments
HarleryQuinn 4 years ago
I felt hypnotized by this scene...
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ierofant1000 3 years ago
Это он будущее видит..Когда он закончит служение людям и уйдёт туда уже навсегда...
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All Comments (108)
Winston Alexander 3 months ago
feeling strange.
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KangarooFromWaterloo 3 months ago
Akira Kurosawa about Tarkovsky: "He was somehow able to shoot a pond or water pool as transparent as to allow us to see through to the very bottom. You know, if you do it in an ordinary way, you will for sure find the sky reflected on the water surface."
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donlukeeez1 3 months ago
Эта сцена, пожалуй, содержит в себе всю историю человечества, я никогда не видел ничего подобного
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stevecav1138 1 year ago
then why doesn't the S.T.A.L.K.E.R game have a Thompson submachine gun?
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dizzydelarge 1 year ago
1 poor untermensch is deaf and blind....R.I.P. grandmaster Tarkovsky.
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Dinival1 1 year ago
Am I the only to see two faces in one when the personage is awaking?
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Havezethario 1 year ago
Es muy difícil definir lo que tiene esta escena, pero me resulta hipnótica. La música sin duda es preciosa, y por sí sola logra encumbrar algo tan ¿hermoso? ¿profundo? ¿extraño...? como este sencillos escenario: un lugar por donde mil cosas han ocurrido y han quedado desechos, ahora cubiertos de agua... con todos esos objetos, polvo, hojas y cosas que flotan unas sobre otras... ¿por qué nos parecerá tan "bello"? ¿Quizá porque, gracias a la obsesión de Tarkovsky por el agua, parece "vivo"...?
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pjherron 1 year ago
Just an incredible long take. The entire long take is roughly 40 sec. longer than the one shown here. Of course watching the three actors wade through a neck-high vat of horrifically polluted water only minutes after the mind-blowing achingly gorgeous shot has its own brand of insanity. And it is all seemingly triggered by an amazing shot of a dust devil that sort of out-does Kurosawa's use of visual representation of wind. Strange stuff is starting up. One of the most amazing pieces of cinema.
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bradshawvincent 2 years ago
all the objects in the water have meaning,the detritus at the end of the world that shows our sad journey through human folly.
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fernandopox 2 years ago
is this the scene where image color changes from sepia to full color? (I haven't watched the movie).
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