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4:45 as well
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4:15 :)
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This must be what the angelic singing while entering heaven's gates sounds like. My God how awesome!
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This choir lets me speechless .
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I would kill to sing in this choir. my life would be complete
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@zEquilibrium No, you don't. Not at all. But if this doesn't inspire reverence for, and belief in the soul of mankind, nothing will. You should just shut your monitor off, and ignore the fancy frocks!
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@zEquilibrium No.
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I am singing this this evening during our Nine Lessons with Carols. I just hope I can do it justice!
I don't really care whether it is sung by Kings or Westminster or whatever other choir, it is such a stunning piece that just hearing it sends shivers down my spine.
I hope that I don't crack up whilst singing it this evening (it has happened before with other beautiful choral pieces!)
A Blessed Christmas to all you choral music fanatics out there :-)
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@ryrycalguy They're not "boy" altos they're men! There's a huge difference. Men sing the alto line in the Anglican men and boy choir tradition while boys sing the alto line in most other men and boy choir traditions e.g. Westminster Cathedral, London.
Besides the tenors being a little too harsh on "et ad-mi-ra-bi-le...", I would say this is my favorite rendition of this song. I prefer the sound of boys alto versus female alto in any cathedral choir-type style.
ryrycalguy 5 months ago 11
Lauridsen's explanation for the dissonance at 3:10 and 3:37 (part two):
"After exploring several paths, I decided to depict this by a single note. On the word "Virgo," the altos sing a dissonant appoggiatura G-sharp. It's the only tone in the entire work that is foreign to the main key of D. That note stands out against a consonant backdrop as if a sonic light has suddenly been focused upon it, edifying its meaning. It is the most important note in the piece."
1966bdc1984 5 months ago 11