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DEAD CAN DANCE - Emmeleia

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Uploaded by on Apr 10, 2010

Into the Labyrinth, 06/1993, 4AD, distributor: PIAS UK/Sony DADC, song property: WMG.
Emmeleia is the 12th track of Into the Labyrinth by Dead can Dance. The 1993 effort Into the Labyrinth found Dead Can Dance mixing their medieval leanings with more exotic Eastern influences on Saldek and Yulunga, while exploring Celtic balladry on the traditional The Wind That Shakes the Barley and theatrical songcraft in their interpretation of Bertolt Brechts How Fortunate Is the Man with None.

tracklist:
01 Yulunga (Spirit Dance)
02 The Ubiquitous Mr. Lovegrove
03 The Wind That Shakes the Barley
04 The Carnival Is Over
05 Ariadne
06 Saldek
07 Towards the Within
08 Bird
09 Tell Me About the Forest (You Once Called Home)
10 The Spiders Stratagem
11 Spirit
12 Emmeleia
13 How Fortunate the Man With None
quietmusic.wordpress.com

lyric:
Sota mono tratao no trateja mon
Uto traja satija totaja tom
Ima toja satao no trateja mon
Uto traja satija tom, satija tom
Sadom sadom
Sadom sadom

Una torti sadom
Una parki sadom

II. Suta mono tratao na trateja ton
Uto traja satija totaja ton
Ima toja satao uno trateja ton
Uto traja satija tom, satija tom
Sadom sadom
Sadom, sadom

Una torti sadom
Una parki sadom


Emmeleia is the solemn definition for the tragic Greek dance. In this acceptacion it occurs in all the ancient critical tradition from Aristossenus to the Byzantine treatise "Peri Tragoidias". Emmeleia is a slow, measured dance composed by slack movements and solemn pauses.

video info:
cross dissolve between El Beyedh circle (Mauritania) and Eye of the Cat nebula.

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  • amazing  :) so calming and inspiring. what language is this?

  • el 2013 se aproxima a paso lento pero seguro, en las visiones perceptibles de cualquier individuo, podemos parecer almas apreciando el cambio trascendental que limpiara a Gaia de todo mal..........

  • pour touttes les feames love

  • wonderful

  • 1+1=1

    genial

  • Excellent

  • SSSSSSUUUUUUUUUUUUUUUUUUUUUUUU­UPPPPPPPPPPPEEEEEEEEEEERRRRRRR­RRRRRR

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