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Luciano Pavarotti-Ella mi fu rapita, Parmi veder le lagrime

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Uploaded by on Apr 4, 2008

Luciano Pavarotti (1935-2007) Born and died in Modena, Italy, Pavarotti was an Italian tenor who was known for his seemingly effor Luciano Pavarotti (1935-2007) Born and died in Modena, Italy, Pavarotti was an Italian tenor who was known for his seemingly effortless high Cs during the early stage of his career. Here he sings 'Ella mi fu rapita, Parmi veder le lagrime' in a live performance of Verdi's Rigoletto. This performance took place on 19 November 1966 at the 'Teatro dell'Opera' in Rome.
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Uploader Comments (GermanOperaSinger)

  • Are you all freakin' kidding? Um, hello... Paris, 1998; Nessun Dorma - if you don't find that to be a sword coated with honey, there's no hope for ya.

  • Sorry, but that nessun dorma was nothing compared to what he was in the 60s.

Top Comments

  • the music is perfect! it is crystal clear, and i love the violin part in the beggining!

    pavarotti is the king as always, thanks for posting this!!!

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All Comments (74)

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  • Fortunate to live in Modena as a child, first knew him as just a very friendly barber.

  • Very undistinguished effort. General lack of power and timbre. Great breath control, as always, but that doesn't compensate for the identified weaknesses.

  • non il migliore (per il meglio si veda il duo schipa-kraus) ma certamente uno dei migliori nel ruolo

  • as great as pavarotti is - can't help to think that something happened to the strings. probably in post production, they are remarkably too low.

  • this is honestly one of the most beautiful things i've ever heard

  • this is just so beautiful

  • Whoa, did I just read Jose Cura's name in the same sentece as Pavarotti's?

  • la voix est belle mais l'air est un peut ennuyeux

  • @GermanOperaSinger and @MaikHaeber: I agree....the only tenor in these days that I find thrilling is Joseph Calleja...I think he is the best right now....reminds me of Bjorling...!

  • @itonlyhappens No, you expert. His voice declined because Pavarotti, having been a lyrical tenor, chose to go into the dramatic repertoire which his voice wasn't meant for. The reason: you can earn more money and fame with Manrico than with Nemorino. Same mistake like many before him and after him (see Roberto Alagna). And for lack of competition, a foolish audience bought it all and continued cheering until his death. In the second half of his career, Pavarotti sold his name, not his voice.

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