Asturias Albeniz Flamenco arr. Kertsopoulos guitar
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Uploader Comments (gkertsopoulos)
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This video is a response to adagio Albinoni Kertsopoulos 3-2-1 course guitar
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All Comments (43)
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Esta muy bien pero a mi gusto personal no me gusta :)!! Saludos!
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epic like a page out of the bible
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beautiful! finally some fresh and original recording of asturias! love it!
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Mr. Very good technic on the guiitar, in my personal opinion the flamenco is the best of all.
Truly you are a master
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mpravo kai apo mena kurie giorgo!eiste eklplhktikos
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Amazing!! Your hands are really fast and they do not miss a note!!!! Well done!!
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Absolutely the most spirited interpretation of Asturias. Stunning performance. Thank you for sharing, Sir.
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wraiocc :)
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i am learning this song on my guitar the same versian as this.
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con todos mis respetos, buena intencion, pero el resultado no me llena.Sigue investigando.
vicentejum 2 years ago
Did you ever ask yourself why the work Asturias is also named Leyenda (Legend) and not a fairy tale?
In a legend there are heroes and sacrifices, mourning of the dead by the living, struggle for the ultimate and crushes of opposition. The chords in Asturias are crushes of the ultimateand the rasgueos can bring this forward. If of course somebody does not take any of this history into his investigations he can be happy with a "fairy tale" interpretation of the work.Stay well, cheers, Yorgos
gkertsopoulos 2 years ago
cual es el arreglo exactamente, meter unos rasgueos cuando al tio le da la gana??..En mi opinion, destroza la maravillosa obra del maestro albeniz
vicentejum 2 years ago 3
Albeniz wrote this work in the compass and the Phrygian (ancient Dorian) mode of Media Granadina meaning that he based it on the traits of the popular flamenco music with the exception that a piano cannot produce a rasgueado where a guitar can. There is a lot of history in this work my friend which is greater than the people that can describe it. Stay well, cheers, Yorgos
gkertsopoulos 2 years ago
I like your version! I detune to D standard then play it in G with the tremelo on the high D, I prefer to play music in the key that the composer chose since he could have written it it any key. You are very pioneering.
asherasator 3 years ago
Thanks my friend, it is an important issue the chosen key and scale chosen by the composer-an issue of both acoustic and musical influences as exploited by many researchers, one of the pioneers on the subject being Helmholtz with his wonderful work "The sensations of tone", stay well and active, Yorgos
gkertsopoulos 3 years ago