Geistliches Lied - Johannes Brahms
Uploader Comments (morphthing1)
All Comments (32)
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@saintsaens21 There are plenty of fantastic professional baritones that do not comfortably sing As and higher. It's a great added bonus but it doesn't make the singer. Tenors need to be able to sing that high, however!
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@Buggaton good baritones hit Abs and beyond...keep on working
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He was deeply conflicted vis a vis Clara. Read Jan Swafford's wonderful book on Brahms.
This is just incredible music, as is all Brahms' music, imho.
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I performed this with the 2003 TMEA All-State Mixed Choir...probably one of the prettiest pieces I ever sung....and the text meant a lot to me as I was really going through something rough in my life that time
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I think this is done down a semi-tone. I just hit that Ab in the tenor part which shocked my until I realised it was a G. Still just a baritone -_-
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Eeeeek...sopranos are a bit iffy! They need to brighten - they're going flat!
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HappyWandy457, I could consider myself a musician if I really ever be able to conduct this unique piece of art from Brahms . . . Following up each voice, menwhile listening what others do, gives you full insight of what is at our disposal on this marvelous composition . . . That Amen, at the end, simply does not end: It still will sound in our ears for long . . .
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I must say I have heard better. /watch?v=6wKrLDJjCdA to name one... The singers here are too old and are singing quite flat.
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He wrote this in his early 20's? Now I feel unaccomplished hahaha. This is an amazing piece and I loved performing it in the national cathedral a year or two ago. Beautiful.
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: )
what was brahms' age at the time of this composition? to me, it sounds like something he would've written at an early age.
8472238 1 year ago
@8472238 correct, written in 1856, so he would have been in his early 20's
morphthing1 1 year ago