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Mastering Secret #23: (Recording Studio Bias) SoundOps Audio Mastering

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Uploaded by on May 12, 2009

http://www.SoundOps.com - Will shares another secret about audio mastering that most recording studios won't tell you... Plus, he addresses questions like, "Can your recording engineer master your tracks the right way?" and, "What is the recording studio bias?" CD mastering requires different equipment and skills, but most importantly, different ears. Find out how to take your recordings to the next level and improve your mix, your sound, and your future as an independent artist...and check out The MASTERING Blog for more great indie resources @ http://www.multiMASTERING.com

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Uploader Comments (soundops)

  • love the video really good

  • @thegeffc Thanks! We'd like to see some videos from you! What's your email address, we'd like to send you a little gift!

  • hey i jus stated watchin ur vids and i jus subscribed you get all into the info your sharing and i like that and i learned alot so i hope i learn more from you

  • @YGxSlade Thank you!!! That is why we do it! -John Taylor

  • i know you said yall where mastering specialist but do yall know what the best mic to use is ? like CatalystThaSaint i to have a home studio but i use Sony Acid. My work sounds clear but its seems to be missing somthing.

  • @AllenElzy Hey AllenElzy, although this problem is not as simple in later phases (like Mastering) I think your issue is simply an EQ thing. try turning a couple of parametric EQs. one for the lows where you'll be adding NEGATIVE gain. try messing with the frequency and the Q to take out the "boom". and another for the highs, again, try messing with the frequency and the Q to add whatever seems to be missing with your ears. Be sure to take breaks from listening - compare your sound.

Top Comments

  • Kiss my ass these days with downloading and Itunes bands cant afford shit.. us producers dont have a choice but to be a "Jack of all trades" when your in the indie music scene bands want a one stop shop, it sucks but thats just the way things are now days.

  • Are there any specific tips you can give on mastering with ribbon microphones? I have an MXL R144

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All Comments (56)

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  • very interesting thanks

  • @haruthacin Anything below 24 bit 48 kHz is not pro. Anything below 16 bit 44.1 kHz is a joke, and that includes all MP3 formats. There is a huge quality difference between 24/48 and 16/44.1, and also between 16/44.1 and MP3.

  • I always do my mastering with some one else

  • if a mix is bad then there is nothing that mastering can do. For me the best is to master and mix simultaneously

  • @soundops Hello from Turkey .... (sorry for my bad english) ... I want to know when I recording music,vocals what format use, to save my file mp3,sony`s formats or wave,and how kbps and how khz 48.000 or higher .... THANKS FOR .. ... ..

  • Hello from Turkey .... (sorry for my bad english) ... I want to know when I recording music,vocals what format use, to save my file mp3,sony`s formats or wave,and how kbps and how khz 48.000 or higher .... THANKS FOR .. ... ..

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