Jonas Kaufmann - Salut, demeure chaste et pure - FAUST - 2011

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Music

Tags:

• Kaufmann Salut
• demeure chaste et pure 2011

[FilmGuyNewyork]

@Etnalleb I have to agree with you. It is a strange sound, especially when he sings in Italian and French. I have seen him in Tosca, La Traviata, Carmen and I couple of others and have heard labored and pushed sound. Plus the most important part of live performance is missing and that is emotion. I never see honest characterization and depth.

[456Templar]

Non e' una colpa avere una voce piu' "scura". Anzi, questo lo rende particolare. La voce di Jonas Kaufmann e' diversa da tutte le altre e a me piace tanto proprio per questo.

[delmonacosama]

he used to be better.

[francocorelli02]

Great opera,great voice

[konisia]

@FilmGuyNewyork

Missing emotions? What do you mean? Will you kindly explain; thank you

[sisifus100]

Wunderbar eine Sternstunde...bravo....Jonas!!­!!!!!!!!!

[angelicvoice2012]

Thank you Jonas for the very emotional performance. Your voice is very beautiful, never pinched or strained, but full of tenderness and your technique is truly great. You are one of the best. What a joy to hear and see you. Take care of yourself as we want to have you around for many more years to come.

[corzoidor]

......Showing beautiful hands.

[ste20213]

L'aigu est beaucoup trop nasal comme l'air en général, c'est une interprétention trop sombre à mon gout et uniquement à mon gout. Faust conte sa jeunesse dans cette aria ... dommage.

[giirving]

Jonas has a beautiful darkly colored tenor that makes for a thrilling night at the opera. He is a great artist.

[lisnor100]

he is perfect, better and better. Even if his Werther was faultless, and his Siegmund. Bravo Jonas.

[sincrotto]

Forse sono un "purista": Il Do, spinto e quasi scoperto, si è rotto per lo sforzo di far passare il suono per la laringe serrata, come già indicava la "u" del "salut" subito precedente. Ognuno può cantare come vuole e poi è bello ciò che piace però...le gole aperte di tanti altri tenori, Kraus, Pavarotti, Corelli, ecc. e le loro risonanze stellari, possibile che non abbiano saputo indicare niente al pubblico dei Teatri d'Opera? Almeno un dubbio su certe vocalità soffocate e forzate....!