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Albert Sweitzer Plays J. S. Bach Fugue C-dur, BWV564

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Uploaded by on Feb 2, 2008

Albert Sweitzer hraje Bachovu fugu C-dur, BWV564
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J. S. Bach (21.3.1685 -- 28.6.1750). „Bach" means a creek in German. It is said that J. S. Bach is not a creek, but he is a sea.

Albert Schweitzer (1875-1965) was a theologian, musician, philosopher, medical doctor, peace activist and Nobel Price Peace Laureate. The cornerstone of his philosophy is reverence for life.
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J. S. Bach (21.3.1685 -- 28.6.1750). „Bach" znamená v němčině potok. Říká se, že J. S. Bach není potokem, ale mořem.

Albert Schweitzer (1875-1965) byl theologem, hudebníkem, filozofem, lékařem, mírovým aktivistou a laureátem Nobelovy ceny. Základem jeho filozofie je úcta k životu.
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Svépomocné příručky pro závislé jsou zdarma na www.drnespor.eu

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Uploader Comments (drnespor)

  • On which type of organs ALbert Schweitzer played?.. Usually this was. What is name of type of organ? Thanks.

  • Unfortunately I do not know.

    This recording I got from a friend.

    It is from the archive of former Czechoslovak Radio.

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  • @robroy1989 Ignorant fool.

  • @Eppoukoji Agreed! His fingers linger on the keys and gives the listener time to savour the notes.

  • It should be the organ renewed by Kern in 1961 in the church of Gunsbach (Alsace)

  • trop lent

  • Grande Albert.

  • Saudoso Albert. Ficam na memória a beleza de sua vida e da sua arte bachiana. Como sempre, belíssimas e acertadas execuções de Bach. Albert, uma caminhada a mais no processo civilizatório e uma chama a brilhar no âmbito da arte.

    Alexandre Vivacqua

    Belo Horizonte/MG

  • ....grande....grande... grande...

    altro che suona va piano perche' non aveva ytempo per studiare...ù

    e' un a filosofia interpretativa..!!!

  • I agree completely. Many years ago, I stopped going to church on Sundays because of E. Power Biggs playing Bach on the Harvard organ.

    Years later, I first heard Schweitzer and knew that this was how Bach was to be played. For one, he plays the organ in a way it must have responded to key-strokes before electricity and, again, Schweitzer understood the registration which fills the great heights of the churches of his time.

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