Alert icon
We're changing our privacy policy. This stuff matters.  Learn more  Dismiss

Bach - Brandenburg Concerto No. 6 in B-flat major BWV 1051 - 1. Allegro

Loading...

Sign in or sign up now!
Alert icon
Upgrade to the latest Flash Player for improved playback performance. Upgrade now or more info.
25,459
Loading...
Alert icon
Sign in or sign up now!
Alert icon

Uploaded by on Feb 7, 2009

Christian Goosses, viola
Ulrike Kauffmann, viola

Freiburg Baroque Orchestra

Category:

Music

Tags:

License:

Standard YouTube License

  • likes, 1 dislikes

Link to this comment:

Share to:
see all

All Comments (29)

Sign In or Sign Up now to post a comment!
  • @duocontinuo ,thx , just googled her name, she's busy lady, a great artist.

    is she lesbian?

  • @zerarita she is Hille Perl and she plays a bass viol....

  • who's that gotic girl ( close encounter of the spooky kind ) with the big vertical violin. tempo is good music is rockin'

  • @seamusnot Historically, the tuning of winds has dictated pitch. Most German Baroque organs are found tuned a 1/2 step to a m3 above A440. Analysis of organ pipes indicates that Schuetz performed his church music at A462. Around A465 was prevalent. These organ tunings derived from Renaissance wind pitch. The various "chamber" pitches since the late 17th c. were based on the new French winds. A440, an ISO std. adopted in the 1950s, was the result of decades of lobbying by American wind makers.

  • to say baroque organs were tuned to A465 is a little misleading. very few towns. let alone countries tuned to the same pitch. even in the baroque era organs in different towns in the same country were tuned quite differently

  • A masterwork!

  • DAM BACH.....YOU GENIUS!!

  • This isn't HOT -its MELTED... awesome cut, good transcribe. Keep up the good work.

  • @rootingfortaiwan It's weird that people automatically assume everyone, everywhere, since the beginning of time tuned to A440, as though A440 tuning were a law of nature & everyone was born with his ears tuned to A440. A440 didn't become an international "standard" until the 1950s. This is a historically informed performance played in Bb@A415, which is the Late Baroque German chamber pitch. Baroque organs were tuned to A465. The reasons have to do with changes in the tuning of wind instruments.

  • A vampire is playing the Viola da Gamba!

Loading...

Alert icon
0 / 00Unsaved Playlist Return to active list
    1. Your queue is empty. Add videos to your queue using this button:
      or sign in to load a different list.
    Loading...Loading...Saving...
    • Clear all videos from this list
    • Learn more