Madrigal Ecco, moriró dunque. Carlo Gesualdo da Venosa.
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Nice sound, but as you are performing a vocal piece perhaps take into account some of the vocal articulation. Breaks in the poery and break marks?
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bravi
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Of course, i love to discuss stuff. Anything else you wanna talk about?
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God I love YouTube, I'll bet I can keep you responding all day :)
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In the first two posts i talked about a voice's oscillation and how it's distinctive from vibrato. In the third post i talked about vibrato as a technique, and how it was used rather rarely in the time when Gesualdo lived.
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indeed, so you said twice before, but thank you for your concessions
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Like KarlAmade said, the 16th century was generally sparing with vibrato and other ornamental techniques. Doesn't mean it was completely void of it, but it wasn't nearly used as excessive as here.
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Whatever, it depends on the individual, while it is true that vibrato can be exagerated by some, it is an arrogant thing to say for sure that Gesualdo's pieces were sung without vibrato by everyone.
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Funziona! L'aveva intuito bene Stravinsky! Gesualdo è un genio assoluto il più grande compositore di tutti i tempi! Sconvolgente la sua modernità lessicale e semantica. Uno splendido ramo morto della storia della musica, che tuttavia ha seminato molti figli illegittimi se è vero come è vero che la sua musica ancora ai tempi di bach circolava (quasi come culto sacrilego rispetto al dominante lessico musicale d'orige monteverdiana) tra i musicisti di tutta europa. Credetemi!!!
JosquenD 3 years ago 8
Vibrato is natural, it allows the voice to not become fatigued, you can suspend vibrato but that is not healthy for the voice, for more information on this you can read "The Diagnosis and Correction of Vocal Faults" By James Mckinny
akinderreality 2 years ago 2