In Jim Campbell's signature works, a grid of LEDs create a moving image at such low resolution that the image borders on incomprehensibility. In this work, the meaning of the low-resolution image is obscured further as the image is broken apart and rearranged. The viewer sees kaleidoscopic simultaneous views of different areas within New York's Grand Central Terminal woven into one image. This piece is closely related to Campbell's "simultaneous perspective" works made in the late 1980's and 1990's.
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