da DUCHBAG explainz hiz tech approach

zum advice fo da peniztz out dere, pozzibly uzeful, n pozzibly not

Category:

Music

Tags:

• chopin
• beethoven
• liszt
• piano
• teaching
• tutorial
• technique
• speed
• scales
• arpeggios
• fart
• duchable
• mildly
• pozzibly
• sheeyat

[DaComme]

correctly

[K189T]

"A coups de pédale quand ça marche pas" mdddr!

[ReturnOfTheStienway]

...weakness in my left hand!!! doesn't sound like it

[lePistolero]

Il y a un gros minet sur son piano xD sacré Duchâble!

[Emlomorful]

qui entend ses "faiblesses à la main gauche" ? Pas évident ;-)

[JJKjaer]

Music and technique is connected. Sometimes one can practise pure technique in order to get more precision and efficiency in for instance scales, which will enable one to play with more freedom, and give many more opportunities how to play a passage, because there are not any psychical barriers... Many of the big composers practised excercises, scales, arpeggios and similar things themselves, and recommended it to their students...

[Pianoantics]

Look at Morazt, Haydn, Beethoven and so many other composers who wrote for the piano and the Romantic literature which is full of technical problems and they are not all about scales either. There are many more things to music than the scales themselves in abtractum where he thinks as if we were an Olympian training for a a game but this is art not sports and singers do warm ups which is to make the voice more flexible and so do dancers. Pianists need to warm up too but studying music is first.

[Masatsu]

i think duchable is maybe obsessed with technique but i agree with him when he says that whe should not pratice technique in piano works, even if it's chopin or liszt etudes.practicing pure technique could be interesting if you got imagination and practice in a way which is not boring.

[allegrissimo]

@flouz2 (part 2) you're right about his reasons for aborting concert practice! And I agree with him, but I would have expressed it in a less extreme way (at least I still have my instrument ;)) p.s. for criticasters: please note that I do not wish to compare myself nor my professional skills with those of Sir Duchable! :)

[allegrissimo]

@flouz2 (part 1) What part was I wrong about? He states that he believes in "pure technique", as is formulated in studies like those of Hanon, Tausig, etc. I believe pure techinique is in any piece if you take it seriously. One could use la Campanella to learn how to play la Campanella, without having to play (and wasting valuable time on) non-compositions like Hanon's scales.

[flouz2]

@allegrissimo wrong !!! he's just mentionning the fact that you should be more practising to build up yourself a strong technique to abord pieces like campanella, and other transcendental difficult pieces and no more.....he quit because he didn't like the image concerts gave....or how it turned out to be.....just people who came and listen without knowing what it's all about, but we're here to say "i was at that concert" and just showing off around !!